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	<title>1-Day Workshop &#8211; Spudnik Press</title>
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	<link>https://www.spudnikpress.org</link>
	<description>An affordable and approachable community print studio in Chicago</description>
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	<title>1-Day Workshop &#8211; Spudnik Press</title>
	<link>https://www.spudnikpress.org</link>
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		<title>June 1 &#124; Screenprinting Refresher &#038; Authorization (4 Hours)</title>
		<link>https://www.spudnikpress.org/classes/june-1-screenprinting-refresher-authorization-4-hours/</link>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Mon, 18 May 2026 17:36:50 +0000</pubDate>
				<guid isPermaLink="false">https://www.spudnikpress.org/?post_type=class&#038;p=41193</guid>

					<description><![CDATA[Note: Experience is required to take this refresher class. This refresher &#38; authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points...  <a class="excerpt-read-more" href="https://www.spudnikpress.org/classes/june-1-screenprinting-refresher-authorization-4-hours/" title="ReadJune 1 &#124; Screenprinting Refresher &#038; Authorization (4 Hours)">Read more &#187;</a>]]></description>
										<content:encoded><![CDATA[<p><strong>Note: Experience is required to take this refresher class.</strong></p>
<p>This refresher &amp; authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.</p>
<p>The class will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.</p>
<p>During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.</p>
<p>To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.</p>
<p>&nbsp;</p>
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		<title>June 1  &#124;  Risography 101 (4 Hours)</title>
		<link>https://www.spudnikpress.org/classes/june-1-risography-101-4-hours-2/</link>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Mon, 18 May 2026 18:52:32 +0000</pubDate>
				<guid isPermaLink="false">https://www.spudnikpress.org/?post_type=class&#038;p=41205</guid>

					<description><![CDATA[The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained...  <a class="excerpt-read-more" href="https://www.spudnikpress.org/classes/june-1-risography-101-4-hours-2/" title="ReadJune 1  &#124;  Risography 101 (4 Hours)">Read more &#187;</a>]]></description>
										<content:encoded><![CDATA[<p>The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.</p>
<p>This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">41205</post-id>	</item>
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		<title>June 7 &#124; Design for Print: Containers — Presenting Your Work Through Box Building</title>
		<link>https://www.spudnikpress.org/classes/june-7-design-for-print-containers-presenting-your-work-through-box-building/</link>
		
		<dc:creator><![CDATA[Meg Duguid]]></dc:creator>
		<pubDate>Wed, 22 Apr 2026 18:16:08 +0000</pubDate>
				<guid isPermaLink="false">https://www.spudnikpress.org/?post_type=class&#038;p=41120</guid>

					<description><![CDATA[Presentation is not packaging — it&#8217;s a critical design decision, the one that determines how a body of work is first encountered and held. For printed matter especially, the container...  <a class="excerpt-read-more" href="https://www.spudnikpress.org/classes/june-7-design-for-print-containers-presenting-your-work-through-box-building/" title="ReadJune 7 &#124; Design for Print: Containers — Presenting Your Work Through Box Building">Read more &#187;</a>]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Presentation is not packaging — it&#8217;s a critical design decision, the one that determines how a body of work is first encountered and held. For printed matter especially, the container is an extension of the object itself: it sets expectation, establishes care, and frames everything inside it. </span></p>
<p><span style="font-weight: 400;">This workshop, led by Amira Hegazy, focuses on the design and construction of custom enclosures to explore how structure, material, and proportion work together to create objects worthy of what it holds. Participants will build their own boxes by hand, developing both the technical vocabulary and the design sensibility to think about containment as an intentional act. We will discuss how engineering containers go hand in hand with print design preparation and consider how the design and fabrication process are inseparable. Essential for designers working with product development, book editions, print portfolios, or any work where the experience of receiving matters as much as the work itself.</span></p>
<p>This is the fourth workshop in the <b>Design for Print sessions with Amira Hegazy</b></p>
<p><span style="font-weight: 400;">This workshop series is built for designers and other digital image makers to translate their digital skills to physical making. We will take specific elements of the design process and decode them to print processes. We will highlight historical and theoretical elements that have woven through design practice from days of physical production to our digital workspaces. Expect to leave each workshop feeling more knowledgeable about your day-to-day design workflows and how to realize your designs through hands-on print practices at Spudnik Press. </span></p>
<p>&nbsp;</p>
<ul>
<li><a href="https://www.spudnikpress.org/classes/may-10-design-for-print-thinking-through-color-understanding-single-color-production-with-the-risograph/"><b>Workshop 1: Thinking Through Color — Understanding Single Color Production with the Risograph (May 10, 12-4pm)</b></a></li>
<li><a href="https://www.spudnikpress.org/classes/may-17-design-for-print-slow-type-letterforms-typesetting-on-the-letterpress/"><b>Workshop 2: Slow Type — Letterforms &amp; Typesetting on the Letterpress (May 17, 12-6pm)</b></a><b><br />
</b></li>
<li><a href="https://www.spudnikpress.org/classes/may-24-design-for-print-designing-for-the-printed-book/"><b>Workshop 3: Designing for the Printed Book (May 31, 12-4pm)</b></a></li>
<li><a href="https://www.spudnikpress.org/classes/june-7-design-for-print-containers-presenting-your-work-through-box-building/"><strong>Workshop 4: Containers — Presenting Your Work Through Box Building (June 7, 12-6pm)</strong></a></li>
</ul>
<p>&nbsp;</p>
<p><span style="font-weight: 400;">Note: Each workshop in this series is enrolled individually. You can register for a single workshop or sign up for the full series.</span></p>
<p><b>Amira Hegazy</b><span style="font-weight: 400;"> is a Chicago-based designer, printer, bookmaker and educator whose work lives at the intersection of print, publication, and community. This four-part workshop series is designed specifically for graphic designers looking to deepen their print knowledge — from file setup to finished object.</span></p>
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