Having been born and raised in St. Augustine, the nation’s oldest city, there is no question as to why I’ve always found myself attracted to the antiquated and obsolete. I find myself significantly more intrigued by the past than with the future, and this notion is something that I explore with my art— not only through imagery but also by choosing manual printing as a means of production. I strive to educate and to preserve public history by studying and depicting the architecture, furnishings, and textile patterns of the past, however, I am particularly fascinated by the whimsical area in which the past and present visibly overlap.