Posts Categorized: Upcoming

Now More Than Ever

Featured Artists:

Emmy Lingscheit

Dates:

11/2/2018 – 12/29/2018

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk
Friday, November 2, 2018
6:00 – 9:00pm

Press Release:

Spudnik Press Cooperative is pleased to present Now More Than Ever, a solo exhibition featuring work by Emmy Lingscheit.

In Now More Than Ever, artist Emmy Lingscheit invites us to think about the idea and aesthetics of salvaging hope, shelter, and community out of repression, division, and catastrophe caused by rapid environmental change. Her prints offer a critique of entrenched systems and attitudes that contribute to environmental damage, amplifying social and economic inequality in the process.

Created specifically for this exhibition, and in addition to her framed work, Lingscheit hones in on the idea of a natural world out of balance through large-scale relief prints. These pieces are designed to yield prints that align edge-to-edge, repeating infinitely and building up to a visually overwhelming abundance that is both breathtaking and grotesque. Among the specimen featured in these large-scale prints are oyster mushrooms and a bloom of jellyfish, both of which may seem alien to us, but are situated to inherit the earth as we change it.

Now More Than Ever opens on November 2, 2018 and will be on view through December 29, 2018 at The Annex at Spudnik Press, 1821 W. Hubbard Street, Suite 302, Chicago, IL 60622.

About the Artist:

Emmy Lingscheit’s work critically investigates the ambiguities and exchanges between organisms and non-organisms, and that between humans and non-humans. These seemingly rigid categories become increasingly blurry as technological advances take us further into a postnatural domain, and scientific research continues to reveal surprising insights into the world we think we know. Lingscheit’s prints, drawings, and sculptural works explore the myriad ways in which we are enmeshed with the non-human world, from the cellular level to the global economy, and their implications for the ecological and climatic challenges we face.

Lingscheit exhibits her work nationally and internationally, including recent invitational and group exhibitions “New Prints 2016/Winter” at the International Print Center New York, NY, “A Curious Bestiary: Chimeras and Cryptozoology from American Printmakers” at Davidson Galleries in Seattle, WA, and “American Lithography in the 21st Century,” at the Lithographic Academy in Tidaholm, Sweden. Recent solo exhibitions include shows at the John Michael Kohler Arts Center, the University of Southern Indiana, and the Indianapolis Arts Center. She has held numerous artist residencies, including at Ucross, Brush Creek, Zygote Press, and the John Michael Kohler Arts/Industry Program. Lingscheit holds a BFA from St. Cloud State University in Minnesota, and an MFA from the University of Tennessee, Knoxville. Her work is represented by Davidson Galleries of Seattle, WA, and resides in private and public collections, including the collection of the John Michael Kohler Arts Center. Lingscheit is currently an assistant professor at the University of Illinois, Urbana-Champaign, where she is the printmaking coordinator.

Image (left to right): Emmy Lingscheit, Longitudinal Study, 2016; Mycoremediation, 2018 (detail).

States of I: A Conversation

Featured Artists:

Mary Jones and Jolynn Reigeluth

Dates:

6/15/2018 – 8/11/2018

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk
Friday, June 15, 2018
6:00 – 9:00pm

Press Release:

Spudnik Press Cooperative is pleased to present States of I: A Conversation, an exhibition featuring work by artists Mary Jones and Jolynn Reigeluth.

Jones and Reigeluth are artists that live and work in states of “I;” respectively, Indianola, Iowa and Indianapolis, Indiana. In addition to living in states that start with the same letter, these printmakers have a penchant for building images from a central persona who is at best an unreliable narrator, caught and fraught in a landscape of self.

In their work, both artists celebrate the absurdity of being human by bringing to light some of our deepest, untold internal monologues. These autobiographical works by Jones and Reigeluth exemplify their shared interests in narrative imagery, as well as a love for the graphic legacy and energy coming out of Chicago, Illinois. For this exhibition, Jones and Reigeluth will contribute two bodies of work that culminate in a conversation with a set of two prints – one from each artist – that correspond in size and title.

States of I: A Conversation opens on June 15, 2018 and will be on view through August 11, 2018 at The Annex at Spudnik Press, 1821 W. Hubbard Street, Suite 302, Chicago, IL 60622.

About the Artists:

Mary Jones makes maps of the wilderness of personal histories. Images and words are layered out of time and perspective, and where and when are subjective. Space is delineated by the inhabitants, the who in the journeys being told. These personas are a combination of what is seen with what is imagined about encounters with people, places, and things. Details get piled on in the way that life is lived– in steps, notes, beats, breaths, and marks. Whether drawing or working in print media, collage is always an element. Trained as a printmaker, Jones is a scavenger of technologies, old and new.

Prior to moving to the Des Moines area, Jones lived in Chicago, where she exhibited at Ann Nathan Gallery. She was employed as an illustrator and designer, with work published by the Chicago Tribune, Playboy Magazine, and the Philadelphia Enquirer, among other publications. She was awarded residencies with the Ragdale Foundation, and with Anchor Graphics in Chicago. Twice she has taught photopolymer intaglio workshops for Frogman’s Print Workshops in Omaha, NE. For the past 17 years, she taught printmaking, design, and book arts courses Grand View University in Des Moines. She has work in several public collections, including the Illinois State Museum, and the Alter Collection of Art by Women at PAFA in Philadelphia. She is represented by Tory Folliard Gallery in Milwaukee and Moberg Gallery in Des Moines.

Jolynn Reigeluth’s work combines an array of printmaking processes with drawing, painting, and collage to create print and mixed media hybrids. The images earnestly and humorously reflect on the emotional and physical aspects of the human condition and its twisted ironies. By working in tension between intuition and structure, she creates imagery that playfully captures the complexity of ubiquitous human experiences and interactions. She has a distinct affinity for the absurd and scatological that manifests in these introspective self-portraits.

Reigeluth is an artist from Des Moines, IA currently living and working in Indianapolis, Indiana. She earned an M.F.A. in printmaking from Kansas State University in 2015. Since 2015, Reigeluth has completed a residency in Ontario, Canada, taught at Indiana Wesleyan University as well as other Indianapolis venues, and visited universities in Michigan and Kansas as a visiting artist. In 2016, she curated a traveling exhibition titled “Sateen Dura-Luxe,” an exchange portfolio in honor of Indiana born author, Kurt Vonnegut. The exhibition schedule included MAPC’s 2016 Conference in Louisville, Kentucky, and The Kurt Vonnegut Museum and Library in Indianapolis, where Jolynn is currently organizing another exhibition for 2018. In recent years, her work has been included in exhibitions across the United States including the International Print Center New York’s New Prints Exhibition, Bradley International Print and Drawing Exhibition, Pacific States Biennial North American Printmaking Exhibition, and others. In 2018 Reigeluth will participate in conducting research for a project titled Transforming Printmaking Through Chemical Innovation lead by National Endowment for the Arts Grant Recipients, Jason Scuilla and Stefan Bossmann, of Kansas State University.

Image (left to right): Jolynn Reigeluth, These Are My Legs II, 2017 (detail); Mary Jones, Harryette, 2017 (detail).

Entre Rios y Montañas

Featured Artists:

Jonathan Herrera

Dates:

4/27/2018 – 6/9/2018

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, April 27, 2018
6:00 – 9:00pm

Press Release:

Spudnik Press Cooperative is pleased to present Entre Rios y Montañas (Between Rivers and Mountains), a solo exhibition featuring new work by Chicago-based artist Jonathan Herrera.

The work featured in Entre Rios y Montañas stems from Herrera’s deep interest and continued investigation of the relationships between collective memory and historical instances of state-sponsored violence and trauma inflicted on politicized bodies. Often the victims of these crimes, or rather their bodies that disappear, leave behind stories not in words but in gesture. Trails of clothing are found in the deserts between borders as they get stuck on fences with barbed wire or wash up onto shores of beaches. These garments are sometimes attached to lifeless bodies while others manage to claim autonomy from the flesh.

Through these collographs, akin to rubbings, Herrera explores the connection between clothing and the body, as well as the relationship between forensic evidence and items of personal significance. By employing this print-based process, Herrera partakes in an act of remembrance as he produces tracings and impression of clothing left behind. His harsh, and almost violent, treatment of the objects carries forth into the artwork’s final presentation. Ultimately, the objects of clothing rendered in Herrera’s work are declarations unto themselves, left behind by bodies to evoke lived experiences.

Jonathan Herrera is a print-based studio artist and teacher from Chicago, IL. He holds a BFA from the Minneapolis College in Art and Design. Through his studio practice and teaching philosophy, Herrera engages multiple facets of place-making and thinking in order to express ideas through concept building, process, and materials. He constantly works to create accessibility in both art and education by connecting his studio work, public work, and community engagement. Herrera has recently exhibited work at the Minnesota Museum of American Art, The Soap Factory (Minneapolis, MN), and Concordia Gallery (St. Paul, MN).

Image: Jonathan Herrera, Untitled, 2017 (detail).

Roots

Featured Artists:

Yasaman Moussavi

Dates:

3/9/2018 – 4/21/2018

Location:

The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, March 9, 2018
6:00 – 9:00pm

Press Release:

Spudnik Press Cooperative is pleased to present Roots, a solo exhibition featuring new work by artist Yasaman Moussavi.

The visual content of the Moussavi’s work for this exhibition is personal and intimate, consisting of etchings that depict creatures entangled in a natural space. As she explores the ties between individual and environment, she begins to unearth emotions, associations, and memories that one attaches to physical spaces to discover the abiding bond between nature and us.

For Moussavi, etching is a dance of covering and uncovering, building and destroying whatever she imagines onto her copper plates. In this sense, printmaking bridges her inner and external worlds. Moussavi also crafts an intimate relationship between her medium of choice and the visual message she wants to communicate by making her own paper. Upon layering and reconstructing handmade papers, she fuses the intricate forms found in her etchings with dynamic natural forms.

At a time in history when we suffer from great divisive rhetoric and disconnect in and with politics, the environment and each other, Moussavi dreams of growing roots and connecting with the self, nature, and people.

Yasaman Moussavi was born in Tehran, Iran and received her BFA in painting from the Al-Zahra University of Tehran and an MA in Art Studies from The University of Tehran. She also holds an MFA with an emphasis in painting and printmaking from Texas Tech University, where she explored and developed her skills in papermaking, printmaking and installation art. Moussavi has participated in many national and international exhibitions, including the Juried International Exhibition of Contemporary Art, Irving Art center, TX, A.I.R Gallery Biennial, Brooklyn, NY, “Norouzaneh” International Mini Print Annual Exhibition at Sagene Kunstsmie, Oslo, Spazio 74/b Milan and Chicago.

Image: Yasaman Moussavi, Breathe on me, 2017.