The Price Is Nice: Annual Benefit for Spudnik Press Cooperative

Honoring Audrey Niffenegger

Hosted by KG

Saturday, October 19, 2019
6:00 p.m.

Low Res
1821 W Hubbard
Chicago, IL 60622

RSVP on Facebook

Come on down, friends, to The Price is Nice, Spudnik Press Cooperative’s 12th Annual Benefit Saturday, October 19, 2019 at LowRes, 1821 West Hubbard. 

With a gameshow theme, the Annual Benefit is as much showcase as it is showdown. Friends outbid friends–and strangers alike–on both live and silent auction artworks, which include many of Chicago’s most notable emerging and established visual and print artists. Beyond the bidding, participants can partake in gameshow and printmaking inspired activities that would make an impression (pun intended!) on Bob Barker himself. Everyone, of course, will be a winner when we raise crucial funds for Spudnik Press Cooperative.

The Price is Nice will also serve as an occasion honor Audrey Niffenegger. As a prolific artist, an author, and the founder of the Center for Book and Paper Arts, Niffenegger’s literary and visual work has influenced a generation of artists and printmakers.


The Auction is LIVE on


New Editions By:
Candida Alvarez, Andrea CarlsonRyan Travis ChristianBrendan FernandesArnold Kemp, Faheem MajeedPaul Nudd, Steve Reinke, and Joe Tallarico.

(more…)

Tessellate

Spudnik Press Cooperative Fellows Ally Hembree, Hope Wang, Sean Mac, and Zakia Rowlett are pleased to present Tessellate, a night of collective artmaking and installation-building with the Chicago community. Hybridizing the fellows’ individual artistic practices, Tessellate invites guests to experience a variety of print-based techniques considering collage as a tool for creating narratives. Through screenprinting, paper embossing, risography, and relief printing, guests will construct their own prints into never-ending books as part of a collaborative viewing library at the Spudnik Press studio. Printmaking experience is not required and all materials will be provided.

This event is free and open to the public as part of the Hubbard Street Lofts Open House (more information to follow). The installation will be on view until Nov 10, 2019.

Ally Hembree is a printmaker focused in screen printing, relief, and polyester plate lithography. She has a B.A. in Studio Art with a minor in Communication Studies from the University of Puget Sound. The subject matter of Ally’s work is heavily influenced by the environment in which she creates. While at the University of Puget Sound, she connected her critical interest in film media with her printmaking. Her senior thesis, Moments, inspired by the unforgiving Pacific Ocean, was an installation of 40+ polyester plate lithographs. Likewise the screenprints incorporated in Tessellate are influenced by the sometimes equally unforgiving Chicago cityscape.

Hope Wang is a Chicago-based artist and educator working in painting, screenprinting, photography, and weaving to create meticulous reproductions of primarily industrial and commercial facades. Drawing from architectural elements as symbols for how people negotiate belonging and agency in public spaces, her work questions an initial understanding of material and perception. She received her BFA from The School of the Art Institute of Chicago and has shown in exhibitions including Chicago Textile Week, Ignition Project Space, FRIEND, Chicago Art Department, Gallery No One, and Sullivan Galleries. She has also instructed workshops at The Weaving Mill, Loom Chicago, and Magical Minds Studio.

Sean Mac is a Chicago-based illustrator, cartoonist, and muralist. He uses comic books and zines as a platform for storytelling and narrative. He enjoys writing humorous stories and drawing colorful characters. In addition to self publishing his comics his work includes screenprinting and public art. He graduated with a BFA in Illustration from Columbia College Chicago.

Zakia Rowlett is an experimental Graphic Designer, currently based in Chicago, IL. She spent four years at the Illinois Institute of Chicago, earning her BFA in Graphic Design. Through the use of typography, layering texture, expression of color, and challenging traditional compositions she practices interdisciplinary digital and print media. Referencing multiple forms of communication from signage, human interaction, or recurring events as a way of demonstrating all things open to your own interpretation.

Tessellate is an opportunity to get an inside look into each of the fellows’ practices and also learn new techniques they can take home and apply in the future. We hope they can have fun with collage and story building while engaging with other guests’ pieces through the interactive installation. Fellows will also have affordable work for sale!

Hubbard Street Lofts Open House

Hubbard Street Lofts welcomes you to our home!

Join us for a stroll through three floors of creative spaces, galleries, artists and designers!

Tucked away amid the industrial buildings of yesteryear (and breweries of today) lies a building filled with talent. Once a year we open our doors and invite the public to come view current projects across multiple disciplines. There’s even a food truck or two and beverages to keep you hydrated along the way.

Spudnik Press Fellows will be hosting a community-based, interactive art activity in Suite 302! Read more here

 

Participating Venues:

12.21 studio
All Day Dreaming
Almost Gold
Andy Hall
Art/Work
Candor Arts
Christopher Barrett Photography
Curioso
Doug Fogelson
Filter
Fulton Street Collective
Gerda Meyer Bernstein
It’s Oksana Textile Design Studio
Jeremy Hayes Photography
Kuchar Studio
KWOWK design
Latitude
Life on Mars Goods
LOW RES
Margot Harrington
Platform Studios
Post Studio
Ric Horejs
Spudnik Press Cooperative
Tsubo Salon

Domestic Tides / Indigenous Mind | Opening Reception & Artist Talk

Opening Reception: 6:00 – 9:00 p.m.
Brief Artist Talk: 6:15 p.m.

Domestic Tides / Indigenous Mind explores a move from the prairies of North Dakota to the urban environment of Chicago. The exhibition considers Jessica Christy‘s transplanted indigenous identity, one connected to place, in the midst of a culture shock. While exploring a new city, both foreign and known images were gathered: deer hair, parking signs, coyote tracks, municipal tickets, bird feathers, and corner store signs. Through self-applied cultural guilt and gender expectations, visuals emerge that suggest the artist’s voice is becoming comfortable in the 21st century metropolis.

As traditional printmaking moves from a commercial process to fine art editions to a contemporary medium, artists are continually exploring new matrices and substrates and their conceptual implications. The work in Domestic Tides / Indigenous Mindstems from a fascination with this contemporary shift. Images are transferred through print onto surfaces found and gathered in Chicago. The artist’s cultural and personal transition from the Great Plains to an urban Chicago environment is represented on found wood, fabric, and other surfaces through text and imagery gathered in a daily journal. Domestic Tides / Indigenous Mindemploys these new substrates to intimately speak to the artist’s experiences of cultural disconnect, domestic struggles, and a general liaison with her new environment.


Domestic Tides / Indigenous Mind will be on view November 15, 2019 through January 18, 2020 at Spudnik Press, 1821 W. Hubbard Street, Suite 302, Chicago, IL 60622.

Gallery Hours
Tuesday – Friday: 12 – 5 p.m.
Monday & Thursday:  6 – 10 p.m.
Saturday: 1 – 5 p.m.
Or by appointment

Domestic Tides / Indigenous Mind was selected by the Spudnik Press Member Exhibitions Committee.

Image: Jessica Christy

Blue on Blue: Drink & Draw | December 2019

  • In 1987 Blue Man Group was founded in New York.
  • In 1963 Bobby Vinton released the hit song Blue on Blue.
  • From 1901-1904 Picasso went through his Blue Period, making monochromatic paintings of that color.
  • In 1871 the earliest recorded version of the bridal poem “Something old, something new, something borrowed, something blue” appeared.
  • In 1843 Anna Atkins published Photographs of British Algae using the alternative photographic process of cyanotype; as the name suggests, the prints are blue in color.
  • Around 1840 the Satin Bowerbird was discovered; the males in this bird species are a deep shiny blue color and during courtship build structures called bowers, decorating them with blue objects.
Using the above and anything blue (Delftware, Brilliant Blue FCF, Smurfs, deep sea diving etc.) as our inspiration, we will create monochromatic imagery.
We’ll provide a range of blue pens, markers, pencils and paper, from light cyan to deep navy. Help us round out our one-night Blue Period by bringing your favorite blue knick knack or additional blue materials for inspiration, drawing on, or drawing with.

Veronica Siehl is an artist and printmaker based in Chicago. Siehl received her MFA in printmaking from the University of Tennessee (2010) and her BA in Studio Art from Beloit College (2006). Siehl’s work has been shown in various cities including Chicago (IL), New Orleans (LA), Poznan (Poland), Olympia (WA), and Knoxville (TN). Her multidisciplinary studio practice includes printmaking, alternative photo processes, drawing, writing and installation.

Veronica is well known for her cyanotypes, and has taught many cyanotype classes at Spudnik Press.


Drink & Draw is a low-key drop-in social workshop devoted to drawing practices. There are no pretensions, no prerequisites, and newcomers are always welcome. Bring a sketchbook and basic drawing materials, and invite your friends! Drink & Draw occurs the first Wednesday of every other month and features a special theme and a guest artist. Admission to Drink & Draw is a $15 suggested donation. The event is BYOB, but we do have some wine and beer available with a donation.

Image design by Sierra Shih, Fall 2019 intern