Posts By: Angee

Spring & Summer Enrollment is OPEN with 23 New Classes & Workshops

This summer, we invite you to explore news ways to make art and be creative. Our calendar includes a wide range of classes for new and experienced printers.

Highlights include a focus on intaglio printmaking with an intermediate class focused on color and multiple-plate registration with Jake Saunders and our first 6-week Photopolymer Intaglio class with the stellar printer, Chris Flynn (of Anchor Graphics fame).

Another exciting addition is a one-day bookbinding workshop just for our comics- and zine- making friends. Bookmaking for Comics & Zines will pair nicely with any Riso 101 workshop.

Browse All Classes & Workshops

*Brand New* Classes & Workshops
Monotypes & Collographs
Polymer & Paper Lithography
Bookmaking for Comics & Zines
Photopolymer Intaglio
Clamshell Box Making Workshop

Introductory 5- to 10-week Classes: No experience needed
Screenprinting Explorations (starts April 14)
Screenprinting Explorations (starts May 1)
Screenprinting Explorations (starts July 7)
Letterpress I: Wood & Metal Type
Printmaking Foundations

One-Day D.I.Y. Workshops:  All levels welcome!
T-Shirts & Totebags Screenprinting Workshop (April 8)
T-Shirts & Totebags Screenprinting Workshop (May 6)
T-Shirts & Totebags Screenprinting Workshop (June 10)
T-Shirts & Totebags Screenprinting Workshop (July 15)
T-Shirts & Totebags Screenprinting Workshop (August 26)
Risography 101 (April 18)
Risography 101 (May 23)
Risography 101 (June 27)
Risography 101 (July 17)
Risography 101 (August 29)
Etching Tester (or Refresher)
Relief Tester (or Refresher)
Botany of Blue: Cyanotypes after Anna Atkins (only offered once per year!)

Intermediate Classes & Workshops
Etching 201: Color
Screenprinting Refresher
Etching Refresher (or Tester)
Relief Refresher (or Tester)
Pre-Press Workshop: File Prep for Stress Free Printing


Browse All Classes & Workshops

Private Studio: Annex East

Housed within a 3,000 square foot shared workspace and community printshop, our private studios are ideal for active printmakers, as well as book artists, and artists who work with a variety of 2-D media or small scale 3-D media.


Available April 1, 2018.


$350/month includes 24-hour access to Printshop equipment and general supplies.
$290/month without Printshop access


8 x 13 feet
104 sq. feet
8 foot walls, high ceilings
Has hot water heat in corner of studio.
Locking door
Includes A/C, heat, internet, utilities
Hardwood floors

Download our Private Studios PDF for more details.
Email staff
 with questions or to schedule a time to see the studio.

Interested in 24-hour access but don’t need a private studio? Learn about Keyholder Access.

Professional Practice: Curator Tour & Talk with Julie Rodrigues Widholm | DePaul Art Museum

Thursday, March 22, 2018
5:00 – 6:30 p.m.
DePaul Art Museum

935 West Fullerton
Chicago, IL 60614

$15 for Spudnik Press Members
$5 for Resident Artists and Studio Fellows
Register Online

Please join us for an intimate gathering with Director and Chief Curator Julie Rodrigues Widholm at the DePaul Art Museum, as we discuss her role at the museum and within the broader context of the art community. Rodrigues Widholm will also address the role curators play in advancing the careers of artists, share tips for a successful studio visit and portfolio review, and answer additional questions from our members. Immediately following our conversation, Spudnik members will enjoy a brief curator-led tour of the three print-based exhibitions currently on view at the museum: Barbara Jones-Hogu: Resist, Relate, Unite 1968-1975, Rock, Paper, Image: Lithographs by Clinton Adams and June Wayne from the Belverd and Marian Needles Collection, and Jose Guerrero, Presente: A Memorial Print Portfolio.

This special program is part of our Professional Practice: Off-site Visit series, intended to introduce members to the numerous and diverse art spaces and individuals that contribute to Chicago’s vibrant arts landscape. In addition to connecting with other professionals in the city, these visits present our members with a range of resources and career paths.

Julie Rodrigues Widholm Bio:
Julie Rodrigues Widholm is Director and Chief Curator of DePaul Art Museum where she leads the strategic and artistic vision to promote equity and interdisciplinary education in the arts, while positioning Chicago as a global art city. Her work seeks to expand the canon by providing a platform for marginalized practices, voices and experiences. Prior to taking the helm at DPAM in September 2015, she was Curator at the Museum of Contemporary Art. There she curated major solo exhibitions of work by Rashid Johnson, Amalia Pica, Cauleen Smith, Kathryn Andrews, Amanda Ross-Ho, and co-curated Doris Salcedo’s touring retrospective, along with several thematic exhibitions including Escultura Social: A New Generation of Art in Mexico City and Unbound: Contemporary Art after Frida Kahlo. She has also been a strong advocate for Chicago-based artists for the last two decades. Current projects include the first solo exhibition of print work by AfriCOBRA artist Barbara Jones-Hogu and a two-person exhibition of Tamarind Institute co-founders June Wayne and Clinton Adams. She is currently organizing solo exhibitions on the work of Beverly Fre$h, Karolina Gnatowski and Julia Fish.

Rodrigues Widholm has served as a juror and panelist for organizations including the Headlands Center for the Arts, Mcknight Foundation, Artadia, Creative Capital, and the Peggy Nohl Fellowship, among others. She has been a visiting critic at national universities, a graduate advisor, given numerous public talks, and has written extensively on contemporary art. In 2015 and 2017, she was named one of Chicago’s ART50 Visual Vanguard by New City. During the 2016-2017 academic year, she was a Senior Fellow in the Institute for Curatorial Research and Practice at the School of the Art Institute Chicago. She holds a BA in Art History and Political Science from the University of Illinois-Champaign-Urbana and an MA in Art History, Theory and Criticism from the School of the Art Institute.

Registration Details:
Space is limited to twelve members. Advanced registration is required. The non-refundable registration fee can be paid online. Please note, transportation to the DePaul Art Museum is not provided. Registrants are responsible for providing their own transportation to and from the museum and for arriving on time. An itinerary of the off-site visit will be sent to all registered participants on Tuesday, March 20, 2018.

If you are not a member and wish to participate in this off-site visit, please join or renew your membership.

Residency & Fellowship Programs Overhauled to Better Support Artists

On Monday, February 12, Spudnik Press Cooperative announced dramatic overhauls to two of their hallmark programs, the Studio Fellowship and the Residency Program. These two programs have been transformed to each serve a more distinct audience while also building symbiotic relationships across each of these programs.

The Residency Program is now able to supports a broad range of artists, including those working outside of the discipline of printmaking and in communities beyond Chicago. For the first time, the Residency Program is now open to national and international artists in addition to local artists.  To accommodate artists who may not have professional printmaking experience, the production of new work will, based on the technical skills of each resident, take the form of either self-directed use of facilities or a publishing project facilitated by Spudnik Press staff.

Another important shift is that residency period will be condensed but intensified to create a high energy program that integrated the production of innovative and well-executed print-based work with public programming. During one- to six-week residencies, artists will provide the various audiences that Spudnik Press serves, including first-time printmaking students, emerging artists, professional artists, art collectors and supporters, with educational and professional development opportunities.

Learn More about the Residency Program
View the Call for Applications

The benefits of the Fellowship Program are being greatly expanded through the addition of a high-quality results-oriented weekly professional development seminar. Throughout twenty sessions, Fellows will develop the artistic and professional skills needed to build a successful career in the arts. Topics range from self-promotion for artists to artwork documentation to business planning.

Additional program components work in conjunction to provide mentorship, technical training, meaningful interactions with art professionals, public programming experience, and leadership opportunities. For example, each cohort of fellows collaborates to design and present a public program at Spudnik Press Cooperative.

The remodeled program also allows Fellows to apply for a two-month extension to focus solely on completing a body of artwork.

“Our hardest-working fellows are often just discovering new directions or opportunities in their work at the end of their fellowship. They are often unable to continue their new body of work because financial limitations inhibit studio access.”  – Marcela Serment, Program Director

Finally, Fellows receive discounted registration for all Member Professional Practices Programs. In 2018, this collection of opportunities includes four portfolio reviews with curators and seven off-site visits to resources and arts professionals throughout Chicago

Learn More about the Studio Fellowship Program
View the Call for Applications
View the Fellowship Information Packet

Executive Director, Angee Lennard says,

“The positive changes we are making to these programs are really emblematic of what our community can expect from Spudnik Press Cooperative as we enter our second decade of programming. We are taking a close look at each of our programs and looking for ways to provide deeper support for our artists.” – Angee Lennard, Executive Director

The 2018 Residency will support three artists. The Studio Fellowship support eight artists each year. Applications for both of these programs are currently open. Applications for the next Studio Fellowship cohort close March 25, 2018. Applications for the 2018 Residency are due April 1, 2018.

Image: 2017 Studio Fellows

2018 Studio Fellowship: Call for Applications

Deadline to Apply: March 25, 2018

Spudnik Press is accepting applications for our newly revamped fellowship program!

The Spudnik Press Cooperative Studio Fellowship is committed to providing Chicago’s most committed and talented emerging artists with comprehensive professional opportunities and artistic and technical support. To this end, the Studio Fellowship packages many opportunities for artists to advance their artistic practice.

During this seven-month program, Fellows receive unfettered access to the professional printmaking facilities at Spudnik Press Cooperative. By working in our shared studio and monitoring weekly Open Studio sessions, fellows are actively engaged with our community of printmakers and benefit from ongoing support and feedback from staff and peers.

The impact of the fellowship program is greatly expanded through a weekly professional development seminar, as well as by providing Fellows with the unique experience of planning and presenting two culminating public projects.

Fellows also receive advanced notice and discounted registration for all Professional Practices Programs offered to our members. Opportunities include portfolio reviews with curators, off-site visits to resources and arts professionals throughout Chicago, exhibition opportunities, and more. By gifting each fellow a complimentary one-year Studio Membership, fellows can continue to take advantage of all member opportunities for the five months following their Fellowship.

 Studio Fellowship Mission

The Spudnik Press Cooperative Studio Fellowship is an intensive seven-month program that provides emerging artists opportunities to develop the artistic and professional skills needed to build a successful career in the arts. Key program components work in conjunction to provide mentorship, technical training, meaningful interactions with art professionals, public programming experience, and leadership opportunities. These key program components consist of the following:

  • Access to professional printmaking facilities
  • Weekly seminars addressing various elements of professional practices
  • Leadership experience through regularly monitoring Open Studio sessions.
  • Presentation opportunities through two culminating public projects.

Furthermore, as ambassadors of Spudnik Press Cooperative, Fellows play an important role in ensuring our members and studio users have a welcoming experience at our shop and also help us grow our community. The contributions Fellows make to our day-to-day operations are invaluable and help shape the future of our facilities.


The Studio Fellowship program best supports:

  • Emerging artists, typically recent college graduates.
  • Artists with substantial printmaking experience, such that they are able to perform all monitoring duties.
  • Artists whose current art practice requires access to printmaking facilities.
  • Artist who have are already dedicated to a regular studio practice.
  • Artists who are able to commit about 8 hours a week to the fellowship program in addition to maintaining their art practice.
  • Artists whose goal is to create or sell art a primary source of income.
  • Artist in transitional points in their career.
  • Artists seeking opportunities to meet Chicago-based arts professionals.
  • Artists interested in building meaningful connections with a creative community.

To Apply

Please thoroughly review the SPC Fellowship Information Packet. Download and complete the 2018 Studio Fellowship Application Form. Return this application form and all requested materials to no later than Sunday, March 25, 2018.

Important Dates:

  • Deadline to Apply: Sunday, March 25, 2018
  • Fellowship Period: May 2 – November 30, 2018
  • Fellowship Orientation & Training: May 2018. Dates & times TBD.
  • Weekly Professional Development Seminar: Wednesdays 2:00 – 4:00 p.m. beginning May 2.
  • Individual Monitor Shifts Begin: Friday, June 1, 2018

 Any inquiries regarding our Studio Fellowship can be directed to Marcela A. Serment,

2018 Residency Program: Call for Applications

Deadline to Apply: April 1, 2018 

The Spudnik Press Cooperative Residency Program provides mid-career to established artists one to six weeks of full studio access and the support necessary for the production of new print-based artwork. The Residency Program supports a broad range of artists, including those working outside of the discipline of printmaking and in communities beyond Chicago. Each residency will be modified to adapt to the interests and needs of the individual artist.

The Resident Artists also play an integral role in the Spudnik Press community, bringing new perspectives, experiences and resources as they partake in a variety of public programs and professional opportunities throughout the duration of their residency. These activities vary from one artist to the next and may entail participating in artist talks, private events, and critiques, teaching master workshops, or presenting an exhibition.

For the first time, our Residency Program is now open to national and international artists. However, the program is dedicated to supporting at least one local artist each year.

To Apply:

Please download and review our 2018 Residency Information Packet. Return all requested materials to no later than April 1, 2018.

Important Dates:

  • Deadline To Apply: April 1, 2018. Notification will be sent approximately one month after application deadline.
  • Residency Period: June 1, 2018 – August 31, 2018
  • Duration: One and six weeks

Please be advised that additional logistical criteria will be considered in the selection process such as budget, scheduling, and alignment with other planned programs at Spudnik Press Cooperative. Stipends offered to each resident artist will vary based on the duration of the residency, travel distance or travel costs, and estimated time commitment to community-based activities such as teaching, guest speaking, and providing studio visits.

Please direct all questions to

Now Hiring: Part-time Development Assistant

Spudnik Press Cooperative is accepting applications for a part-time Development Assistant position.

The Development Assistant will broadly contribute to Spudnik Press Cooperative’s development and fundraising efforts. Working in a supportive role to the Executive Director, this position will primarily focus on individual giving and special events.

To apply:


Professional Practice: Portfolio Review with Jordan Martins

Wednesday, February 28, 2018
4:30 p.m. – 8:00 p.m.
Spudnik Press, 1821 W Hubbard, Suite 302

$20 for Spudnik Press Members
$10 for Resident Artists and Studio Fellows
Register Online

Guest Reviewer: Jordan Martins

In an effort to continue our mission to unite our community of printmakers with art professionals throughout the Chicagoland area we are launching a revised edition of our portfolio reviews this 2018. Professional Practice: Portfolio Review will consist of a 30-minute, individual portfolio review with a curator, educator, gallery director, or arts administrator.

This is a unique opportunity for artists to receive feedback on a current body of work or upcoming project, as well as suggestions on how to prepare for other professional opportunities.

Joining us for our first portfolio review of the year is Chicago-based visual artist, curator, educator, and musician Jordan Martins.

Jordan Martins Bio:
Martins received his MFA in visual arts from the Universidade Federal da Bahia in Salvador, Brazil in 2007, and teaches at the School of the Art Institute of Chicago and North Park University. He is the executive director of Comfort Station, a multi-disciplinary art space. Martins’s visual work is based in collage processes, including mixed media two dimensional work, photography, video and installation, and he has exhibited nationally and internationally. He is co-director of the Perto da Lá, a biennial multidisplinary art event with international artists in Salvador, Brazil.  From 2014 to 2016 he served on the programming committee for the Chicago Jazz Festival. He was a resident in the Chicago Artists Coalition’s HATCH program in 2013, a mentor for their LAUNCH program in 2016 and 2017, and currently serves on their Educational Advisory Panel.

Registration Details:
Space is limited to six artists. Advanced registration is required. The non-refundable registration fee can be paid online. The registration deadline is Monday, February 19, 2018 or when all spaces are full. Exact time slots will be assigned by Friday, February 23, 2018.  Registrants are encouraged to arrive 10-15 minutes early to their scheduled appointment.

Announcing New Professional Practices Member Programs

With a new year, come new opportunities for Spudnik Press members! Professional Practices is our new comprehensive professional development series. Each year, Spudnik Press Cooperative will continue to offer our members exclusive access to exhibition opportunities, print exchanges, and member art sales. Newly added opportunities include quarterly portfolio reviews and off-site visits to galleries, museums, artist studios and more.

Continuing our mission to provide comprehensive artistic support to our our community of printmakers, we are launching an ongoing portfolio review program. Our Professional Practice: Portfolio Review series allows any Spudnik Press member to sign up for a 30-minute individual portfolio review with a guest curator, educator, gallery director, or arts administrator. Throughout 2018, there will be four portfolio review opportunities. We’re delighted to kick-off the year with Chicago-based visual artist, curator, educator, and musician Jordan Martins! Later in the year, we will be joined by Meg Duguid, Elizabeth Lalley, and Bert Green.

We are also broadening the scope of our conversations with art professionals in Chicago by going directly to the source. From the museum and the gallery to the auction house and the art fair, to intimate conversations with artists and collectors, our Professional Practice: Off-site Visit series will introduce members to the numerous and diverse art spaces and individuals that contribute to Chicago’s vibrant arts landscape. In addition to connecting with other professionals in the city, these visits are intended to present our members with a range of resources and career paths. 

For more information and current opportunities, please visit Member Opportunities. If you are not currently a member and would like to partake in these opportunities, please join or renew your membership.

Image: Portfolio Review with guest artist and curator Betsy Odom and Grace Makuch, Studio Fellowship Alumnus.

Join Our Board of Directors: Seeking Artists & Art Supporters

The Spudnik Press Board of Directors is a team of experts working behind the scenes to ensure our organization is resilient, mission-driven, and advocating day-in-day-out for artists and the arts. Our Board supports staff as we spearhead new initiatives like our Equipment Fund and expand Member opportunities. They also plans classy and fun fundraising events like our recent Print Factory Art Party.

With so much happening at Spudnik Press, the Board of Directors plans to expand from 8 to 12 members. Incoming directors will have the opportunity to contribute to our next Strategic Plan, help us improve our fundraising efforts, and expand our network of supporters and advocates. We do have a few particular needs:

  • Active members of Spudnik Press: Represent your fellow artists!
  • Project management and group facilitation experience
  • Finance and accounting experience
  • Fundraising and/or event planning experience
  • Business planning and/or strategic planning experience

Key Responsibilities Include:

  • Interpret the organization’s work and values, represent the organization, and act as a spokesperson.
  • Represent Spudnik Press stakeholders through approving annual budget, business decisions and participating in an annual performance review of Executive Director.
  • Extend personal invitations to potential supporters, continually expanding our network of donors and clients.
  • Attend bi-monthly board meetings held on Wednesday evenings, 6-8pm
  • Serve on one of the following committee: Development, Governance, Annual Benefit, Finance or Programming.
  • Contribute a minimum of $375 to Spudnik Press Cooperative per board term.
  • If this is your first time serving on a board, attend Legal & Fiduciary Responsibilities training.

Key Benefits Include:

  • Opportunities for professional development as a board member.
  • Honorary Spudnik Press Membership, inclusive of all benefits, to align with their board terms.
  • Endless gratitude from Spudnik Press staff.

To Apply:

  • Send resume or bio summarizing qualifications plus a letter of inquiry to Angee Lennard, Executive Director,

Download the Board of Directors Job Description

Image: Board Members, Andy Warhol Dutes Miller & Stephen DeSantis at the Print Factory Art Party, Oct. 2017. 

10th Anniversary Campaign: 55% to $65,000

As of 1/11/2018, we have made it 55% towards our goal of raising $65,000 goal from individuals and businesses by June 2018. Our organization is so grateful to the 275 people who contributed $35,906 thus far.

We are asking our community to consider donating $50, $25, or even just $5 to enable us provide continue and improve the caliber of programs that we offer Chicago’s creative community.

Ways to Support our Campaign:

  1. Make a cash donation. Join our Giving Circle with a $250+ donation.
  2. Become a Spudnik Press Member.
  3. Contribute specifically to the Equipment Fund.
  4. Ask your employer to become a Sponsor.
  5. Add a $1 donation when you attend Open Studio sessions.


Make a tax deductible donation

Entre Rios y Montañas

Featured Artists:

Jonathan Herrera


4/27/2018 – 6/9/2018


The Annex @ Spudnik Press

Corresponding Events:

Opening Reception & Artist Talk:

Friday, April 27, 2018
6:00 – 9:00pm

Press Release:

Spudnik Press Cooperative is pleased to present Entre Rios y Montañas (Between Rivers and Mountains), a solo exhibition featuring new work by Chicago-based artist Jonathan Herrera.

The work featured in Entre Rios y Montañas stems from Herrera’s deep interest and continued investigation of the relationships between collective memory and historical instances of state-sponsored violence and trauma inflicted on politicized bodies. Often the victims of these crimes, or rather their bodies that disappear, leave behind stories not in words but in gesture. Trails of clothing are found in the deserts between borders as they get stuck on fences with barbed wire or wash up onto shores of beaches. These garments are sometimes attached to lifeless bodies while others manage to claim autonomy from the flesh.

Through these collographs, akin to rubbings, Herrera explores the connection between clothing and the body, as well as the relationship between forensic evidence and items of personal significance. By employing this print-based process, Herrera partakes in an act of remembrance as he produces tracings and impression of clothing left behind. His harsh, and almost violent, treatment of the objects carries forth into the artwork’s final presentation. Ultimately, the objects of clothing rendered in Herrera’s work are declarations unto themselves, left behind by bodies to evoke lived experiences.

Jonathan Herrera is a print-based studio artist and teacher from Chicago, IL. He holds a BFA from the Minneapolis College in Art and Design. Through his studio practice and teaching philosophy, Herrera engages multiple facets of place-making and thinking in order to express ideas through concept building, process, and materials. He constantly works to create accessibility in both art and education by connecting his studio work, public work, and community engagement. Herrera has recently exhibited work at the Minnesota Museum of American Art, The Soap Factory (Minneapolis, MN), and Concordia Gallery (St. Paul, MN).

Image: Jonathan Herrera, Untitled, 2017 (detail).