Posts By: Angee

Spudnik Press To Debut New Prints at PrintAustin’s PrintEXPO AUSTIN EXPO

Spudnik Press Cooperative will, for the first time, present Chicago artists to new audiences in Austin, Texas at the 2020 PrintEXPO (February 1 & 2, 2020).

The Spudnik Press will exhibit recent print from our Publishing Program, including new 2020 editions by Selina Trepp and Steve Reinke.

PrintEXPO is PrintAustin’s annual print fair that provides an opportunity for local, national, and international artists, galleries, and dealers to share their work with seasoned and new collectors excited about works on paper. Artists, galleries, and vendors have been curated by Carlos Hernandez of Burning Bones Press and PrintAustin. The EXPO includes a vendor fair, steamroller printing, and printmaking demonstrations.

Spudnik Press Cooperative will be presented alongside the North Texas Printmakers Guild, Inky Lips Press, Hokum Press, Jesus De La Rosa, Cannonball PressCarlos Pozo Art, Ben Muñoz, Red Trillium Press, Temple of Print, Dennis McNett / Wolfbat Studios, Reboprints, Qiaoyi Shi & Lucky RisographMichael MenchacaFlatbed Press, and many other artists and publishers.

PrintAustin 2020 PrintEXPO

Launch Party:
Friday, January 31, 
7:00 – 10:00 p.m.
$20 Suggested Donation

Saturday, February 1, 11:00 a.m. – 5:00 p.m.

Sunday February 2, 11:00 a.m. – 3:00 p.m.

Blue Genie Big Top
6100 Airport Blvd
Austin, TX 78752

Portfolio Review Sessions with Cecilia L. Vargas

Sunday, March 15, 2019
11:00 a.m. – 2:30 p.m.
Spudnik Press, 1821 W Hubbard, Suite 302

$20 for Spudnik Press Members
Register Online

As part of our mission to unite our community of artists with art professionals throughout Chicago, we offer portfolio reviews throughout the year. Each artist that signs up for a portfolio review will receive a 30-minute, private review with a curator, educator, gallery director, or arts administrator.

This is a unique opportunity for artists to receive feedback on a current body of work or upcoming project, as well as suggestions on how to prepare for other professional opportunities. Participating artists should bring a portfolio of current work to share with the guest reviewer.

Guest Reviewer: Cecilia L. Vargas

Cecilia Leonora Vargas is a Chicago-based contemporary art curator and writer. Currently, she is the Art Coordinator at Waubonsee Community College, where she works with the exhibitions, visiting artist and collections programs. Vargas received a dual M.A. in Art History, Theory and Criticism, as well as in Arts Administration and Policy from The School of the Art Institute of Chicago (SAIC); and a B.F.A. in Painting and Printmaking from Virginia Commonwealth University. She has been a Curatorial Fellow in the Department of Cultural Affairs Studio and Curatorial Residency, 2016 – 2017 and a Curatorial Fellow with ACRE Projects, 2014 – 2015.

Vargas has organized solo exhibitions and group exhibitions featuring dozens are artists including Susan Giles, Alberto Aguilar, Brent Fogt, Lisa Lindvay, Edra Soto, Mahwish Chishty, Carla Fisher Schwartz, Paul Nudd,  Erik L. Peterson,Claire Ashley, Sam Jaffe, and Sarah and Joseph Belknap. She has authored and edited six exhibition catalog essays, including essays published by Aurora Public Art Commission, the Department of Cultural Affairs and Special Events (DCASE), Carthage College, Garcia Squared Contemporary, Waubonsee Community College, and What It Is.

Registration Details
Space is limited to six artists. Advanced registration is required. The non-refundable registration fee can be paid online. Please register by Monday, March 9, 2020. Staff will notify artists of what time slot they have been assigned on or before Tuesday, March 10. Please contact staff if you would like to request a specific time slot. Registrants are encouraged to arrive 10-15 minutes early to their scheduled appointment.

Portfolio Review Sessions with Aron Packer

Saturday, December 14, 2019
12:30pm – 4:00pm
Spudnik Press, 1821 W Hubbard, Suite 302

$20 for Spudnik Press Members
Register Online SOLD OUT

Guest Reviewer: Aron Packer

As part of our mission to unite our community of artists with art professionals throughout Chicago, we offer portfolio reviews throughout the year. Each artist that signs up for a portfolio review will receive a 30-minute, private review with a curator, educator, gallery director, or arts administrator.

This is a unique opportunity for artists to receive feedback on a current body of work or upcoming project, as well as suggestions on how to prepare for other professional opportunities. Participating artists should bring a portfolio of current work to share with the guest reviewer.

Aron Packer Bio:
Starting in the late 80’s as an American folk art dealer, Aron Packer built his early career focusing on outsider and self taught artists. Also exhibiting unusual objects such as sideshow banners, tattoo drawings, and wild looking magic tricks, his early venue was an apartment gallery, and he became known for a broad yet unusual vision. He added contemporary art and established his first public gallery in 1992 in Wicker Park, joining an alternative gallery scene that included Beret International, Ten in One, and Oscar Friedl Gallery. As business forces changed over the past 25+ years, Packer migrated to locations in River North and the West Loop, continuing to expand his notable group of artists. In 2015 he closed Packer Schopf Gallery on West Lake Street after nearly a decade of ambitious shows. Aron Packer Projects had a pop-up space in the offices of the Chicago Gallery News through 2018, and continues to program exhibitions in locations throughout the Chicago area. The Gallery lives on!

Registration Details
Space is limited to six artists. Advanced registration is required. The non-refundable registration fee can be paid online. Please register by Friday, December 6, 2019. Staff will notify artists of what time slot they have been assigned on or before Monday, December 9th. Please contact staff if you would like to request a specific time slot. Registrants are encouraged to arrive 10-15 minutes early to their scheduled appointment.

Study Session: Writing Art Grants & Applications

Monday, November 18, 2019
5 – 9 p.m.
@ Spudnik Press Cooperative (in the Annex)

$5 for Spudnik Press Members
Register Online
RSVP on Facebook

Are you writing an application for an arts grant, MFA program, or job in the arts? Up against a deadline and want a “Buddy System” to help structure your time, or get a second pair of eyes on your materials?

Come join other members for a super productive session of writing, editing, and polishing! Perfect for working on project proposals and budgets, artist statements, letters of interest, research for your personal goal setting, and more. Bring your roughest drafts and we promise you’ll leave feeling highly accomplished!

For people wanting extra support, Anders Zanichkowsky will be on hand to give feedback on written materials, help brainstorm, and provide samples of successful applications. Anders recently joined Spudnik Press staff and brings many years of experience writing grants and serving on selection committees. He’s a huge fan of using the Buddy System to stay on task (and make the process as enjoyable as possible)!

The Studio Session will also offer an overview of the City of Chicago’s Individual Artist Program grants (due December 5) and a recap of their public information workshops.

Registration Details:

Advanced registration is very much appreciated to allow staff to best plan for the event.  If you are not a member and wish to participate in this member opportunity, please join or renew your membership.

Domestic Tides / Indigenous Mind

Featured Artist:

Jessica Christy


11/15/2019 – 1/18/2020


Spudnik Press Cooperative, 1821 West Hubbard, Chicago IL 60622

Corresponding Events:

Domestic Tides / Indigenous Mind | Opening Reception & Artist Talk

Exhibition Statement:

Domestic Tides / Indigenous Mind explores a move from the prairies of North Dakota to the urban environment of Chicago. The exhibition considers Jessica Christy’s transplanted indigenous identity, one connected to place, in the midst of a culture shock. While exploring a new city, both foreign and known images were gathered: deer hair, parking signs, coyote tracks, municipal tickets, bird feathers, and corner store signs. Through self-applied cultural guilt and gender expectations, visuals emerge that suggest the artist’s voice is becoming comfortable in the 21st century metropolis.

As traditional printmaking moves from a commercial process to fine art editions to a contemporary medium, artists are continually exploring new matrices and substrates and their conceptual implications. The work in Domestic Tides / Indigenous Mind stems from a fascination with this contemporary shift. Images are transferred through print onto surfaces found and gathered in Chicago. The artist’s cultural and personal transition from the Great Plains to an urban Chicago environment is represented on found wood, fabric, and other surfaces through text and imagery gathered in a daily journal. Domestic Tides / Indigenous Mind employs these new substrates to intimately speak to the artist’s experiences of cultural disconnect, domestic struggles, and a general liaison with her new environment.

Download the Press Release

Artist Bio:

Christy is a native North Dakotan, born to two artists on the Sanger Art Farm, located at the northern edge of the Sheyenne River Valley. She received her MFA from the University of North Dakota in 2011 and has since created works that challenge the status quo of human activity and the resulting impacts. Heavily influenced by her upbringing in the Dakota and Lakota cultures, Christy weaves the Native experience into her work. She has shown both nationally and internationally, most recently at the Urban Institute for Contemporary Art in Grand Rapids, Michigan. Find further information at

Image: Jessica Christy, Untitled (chic), 2019

Call for 2020 Exhibition Proposals

Deadline to Apply: Sunday, December 1, 2019

Download the 2020 Call for Exhibition Proposals

The Spudnik Press Exhibitions Program invites artists and curators to submit proposals to be considered for the 2020 cycle of exhibitions. This is an opportunity for artists to spotlight their work in a solo show, a group to build a collaborative exhibition, or a curator to make their vision a reality. Proposals may be for existing or new work. Any and all are welcome to apply.

Exhibition proposals are reviewed by a committee of Spudnik Press members and guest jurors. Final selections are made using the organizations’s curatorial statement as a guidepost.

Please note that while installations and performances may be included in proposals, 2-D or wall-mounted artwork is typically best suited for our gallery, which functions as a multi-purpose space. Additionally, while we welcome proposals from beyond Chicago, applicants should be aware that there is a limited budget for each exhibition and final selections may need to partially cover shipping and travel fees.


  • Proposals due: Sunday, December 1, 2019.
  • Applicants will be notified by Wednesday, January 1, 2020.
  • Exhibitions will occur between February 2020 and February 2021. Exact dates TBD.
  • Exhibitions typically run for 9 weeks with two weeks in between shows for gallery preparation.

Spudnik Press Cooperative Curatorial Statement:

Spudnik Press exhibitions amplify the impact of our resources by providing opportunities for artists and audiences to move through a variety of creative roles: from making to experiencing, and learning to teaching.

Spudnik Press showcases work that has ongoing relevance to our mission and vision, while also encouraging a breadth of community participation. Exhibitions create an active platform to expand and diversify our cooperative.

To achieve these goals, Spudnik Press exhibitions:

  • Are selected by a curatorial committee that includes active members.
  • Emphasize printmaking and print-based projects within contemporary art practices.
  • Showcase the creative, analytical and/or technical process of art making.
  • Feature exceptional projects, whether produced at Spudnik Press or beyond.
  • Engage diverse levels of professional experience.

Spudnik Press exhibitions offer participating artists opportunities to:

  • Produce new fine art prints.
  • Present corresponding educational programming.
  • Present Artist Talks.

To Apply:

First review the entire Call for 2020 Exhibition Proposals. E-mail the following to with “2020 Exhibition Proposal” in the subject line:

1) PDF including the documents listed below in the following order:

  1. Applicant(s) contact information. Please include your address, phone number, and email address.
  2. Working title of the exhibition.
  3. Exhibition/Curatorial Statement. Description of the exhibition, both conceptually and visually. (500 words max)
  4. Artist Statement(s) and Bio(s). Brief statement for each artist and bio for each artist. Include websites, blogs, notable artistic achievements, other relevant material.
  5. Resume or CV. Please only submit a resume or CV for the applicant(s), not each individual artist.
  6. Image List. Including artist name, title, year of completion, medium, dimensions, and name of file.
  7. Public Program (optional). Applicants are welcome to submit a brief description for a public program related to the exhibitions, i.e. an artist talk, workshop, etc.

2) Images: 

  • For both solo exhibitions and small group exhibitions, include up to 10 images of artworks that will be included in the exhibition, or are representative of the artwork that will be in the exhibition.
  • Sketches may be included for forthcoming work. Please clarify in the written materials if the artwork is not yet complete.
  • Images need not exceed 1 MB each.
  • Work samples files should be labeled as follows: LASTNAME_01.jpg, LASTNAME_02.jpg, etc.

Spudnik Press to Participate in New York’s E/AB Fair |October 24-27

Spudnik Press Cooperative is thrilled to announce that we will be exhibiting at the 2019 Editions/Artists’ Books Fair,(October 24 – 27, 2019) at The Caldwell Factory in New York City.

The Spudnik Press booth will exhibit recent print from our Publishing Program, including Ryan Travis ChristianEdie FakeKelly KaczynskiBrittney Leanne WilliamsJudy LedgerwoodSteve Reinke, Kay Rosen, and Alice Tippit.

Editions/Artists’ Books Fair has been New York’s premier showcase for the discovery of new and contemporary prints, multiples, and artists’ books for over 20 years now. Renowned for its cultivation of an international community of publishers, E/AB Fair provides a platform for their growth in the art market. Each year, the Fair presents a thoughtfully curated exhibition of works by hundreds of emerging and established artists and an informative program of talks.

The E/AB Fair will take place during New York’s Print Week, to coincide with IFPDA’s Print Fair, and dozens of special exhibitions, talks, and workshops throughout the city. The fair is free and open to the public.

E/AB Fair
October 24 – 27, 2019

The Caldwell Factory
547 West 26th Street
btw. 10th and 11th Avenues

2019 New Editions to Debut at EXPO Chicago | Booth #433

Spudnik Press Cooperative is excited to debut many new 2019 Editions at EXPO Chicago (Navy Pier, September 19-22). Please visit booth #433 to see and learn about the many special projects we have completed with a selection of well-recognized Chicago artists in 2019.

New 2019 Editions:

Candida Alvarez
Brendan Fernandes
Faheem Majeed
Paul Nudd
Steve Reinke
Joe Tallarico

Selections from Our Residency Program:

Andrea Carlson
Jonathan Herrera Soto

Featured Returning Editions:

Judith Brotman
Dana Carter
Jeroen Nelemans
Kay Rosen

In the Flat Files:

Claire Ashley
Elijah Burhger
Lilli Carré
Holly Cahill
Edie Fake
Richard Hull
Kelly Kaczynski
Raeleen Kao
Arnold Kemp
Chad Kouri
Benjamin Larose
Judy Ledgerwood
David Leggett
Caroline Liu
Miller & Shellabarger
Steve Reinke
Viraj Mithani
William J O’Brien
Roni Packer
Alice Tippit
Orkideh Torabi
Amanda Williams
Brittney Leeanne Williams

In addition, our flat files will include select work from our Residency Program, publicationsTen x Ten collections, and more.

EXPO Chicago Sneak Preview:

Candida Alvarez
Henri y Rei conmigo, 2019
20″ x 23″

Brendan Fernandes
Stud II, 2019
30” x 36”

Paul Nudd
Chunk Hugger 2, 2019
15” x 18”

Joe Tallarico
Unstable Table, 2019
Aquatint Intaglio
15″ x 18.5″

Learn more about EXPO Chicago

2019/2020 Studio Fellowship

Deadline to Apply: PASSED
Sunday, September 22, 2019

Additional Important Dates

Fellowship Period: November 1, 2019 – June 30, 2020
Required Weekly Commitments:

  • Professional Development Seminars:  Most Wednesdays from 2:00 – 4:00 p.m.
  • Individual Monitor Shifts: One of the following 4.5-hour per shift per week:
    • Mondays 5:30 – 10:00 p.m.
    • Thursdays 5:30-10:00 p.m.
    • Fridays 12:30 – 5:00 p.m.
    • Saturdays 12:30 – 5:00 p.m.

The Spudnik Press Cooperative Studio Fellowship is an intensive eight-month program that provides emerging artists opportunities to develop the artistic and professional skills needed to build a successful career in the arts. Key program components work in conjunction to provide mentorship, technical training, meaningful interactions with art professionals, public programming experience, and leadership opportunities.

The Studio Fellowship is committed to providing Chicago’s most committed and talented emerging artists comprehensive professional opportunities and artistic and technical support that specifically addresses the needs of printmakers. To this end, the Studio Fellowship packages many opportunities for artists to advance their artistic practice.

Fellows receive unfettered access to the professional facilities at Spudnik Press Cooperative to support the creation of a new body of print-based artwork. Through working in our shared studio and monitoring weekly Open Studio sessions, fellows are actively engaged with our community of printmakers and benefit from ongoing support and feedback from staff and peers.

The impact of the Fellowship Program is greatly expanded through a weekly professional development seminar. Throughout twenty sessions, Fellows will develop the artistic and professional skills needed to build a successful career in the arts. Topics range from self-promotion for artists to artwork documentation to business planning.

Fellows have the unique experience of planning and presenting two culminating public projects. A collaboratively planned public program allows the Fellows to conceptualize, organize, and implement a community-based event from beginning to end. The Crossing of the Fellows is an opportunity for incoming and outgoing Fellows to formally present their work with each other and an audience of Spudnik Press supporters.

Finally, fellows receive advanced notice and discounted registration for all Professional Practices Programs offered to our members. Opportunities includes portfolio reviews with curators, off-site visits to resources and arts professionals throughout Chicago, exhibition opportunities, and more. By gifting each fellow a complimentary one-year Studio Membership, fellows can continue to take advantage of all member opportunities for the four months following their Fellowship.


The Studio Fellowship program best supports:

  • Emerging artists, typically recent college graduates.
  • Artists at transitional points in their career.
  • Artists with substantial printmaking experience, such that they are able to perform all monitoring duties.
  • Artists whose current art practice requires access to printmaking facilities.
  • Artists who already have a dedicated and regular studio practice.
  • Artists who are able to commit about 8 hours a week to the fellowship program in addition to maintaining their art practice.
  • Artists whose goal is to create or sell art a primary source of income.
  • Artists seeking opportunities to meet Chicago-based arts professionals.
  • Artists interested in building meaningful connections with a creative community.

To Apply:

Please thoroughly review the SPC Fellowship Information Packet. Download and complete the 2019/2020 Studio Fellowship Application Form. Return this application form and all requested materials to no later than Sunday, September 22, 2019.

Any inquiries regarding our Studio Fellowship can be directed to Jess Christy,

Offsite Visit: The Block Museum’s Special Collections: WPA Prints

Friday, October 11, 2019
2 p.m.
The Block Museum’s Eloise W. Martin Study Center
40 Arts Circle Drive
Evanston, IL 60208

$10 for Spudnik Press Members
Register Online

Join Spudnik Press staff for a private viewing of original WPA prints housed at the Block Museum’s Eloise W. Martin Study Center. Spudnik members will have the chance to speak with Block Museum curators about these special posters, their lasting effect on fine art printmaking, and their contribution to the visual arts in Chicago.

After the 2pm private viewing and conversation, we’ll head over to the galleries to check out prints in the Pop América exhibition.

About the WPA Posters

In 1935, President Franklin Delano Roosevelt established the WPA (Works Progress Administration) and the Federal Art Project (FAP) as part of his New Deal program to put millions of unemployed Americans back to work. The FAP employed more than five thousand artists in various art projects, including the many poster divisions that were created throughout the United States.

The WPA posters are some of the best known works to be produced through the FAP program. The silkscreen, lithograph, and woodcut posters produced between 1936 and 1943 depicted government programs and projects, ranging from health and public safety, to promoting newly formed national parks. Throughout the duration of the WPA art projects, over two million posters were printed from 35,000 designs. Today, only about two thousand are known to exist anymore. Richard Floethe, head of the New York poster division, wrote in a 1930’s essay that “the government unwittingly launched a movement to improve the commercial poster and raise it to a true art form.”

About The Block Museum’s Eloise W. Martin Study Center

The Block is a dynamic, imaginative, and innovative teaching and learning resource for Northwestern and the surrounding Chicagoland communities. The museum features a global exhibition program, in which diverse time periods and cultures interact, serving as a springboard for thought-provoking discussions relevant to our lives today.

Current Exhibition: Pop América, 1965–1975

Pop América, 1965–1975 challenges and reframes familiar notions of Pop Art by bringing together artists from North, Central, and South America, as well as the United States and the Caribbean. Pop América is the first exhibition to unify Latin American and LatinX expressions of Pop and explore how artists working across the hemisphere embraced its bold and colorful imagery, references to mass culture, and representations of everyday objects, signs, and symbols.

Registration Details:

Advanced registration is required as the tour is limited to 15 participants. The non-refundable registration fee can be paid online. The Block Museum is easily accessible via public transportation; however, staff will assist with transportation by coordinating a carpool to and from Evanston, as needed.

If you are not a member and wish to participate in this off-site visit, please join or renew your membership.

New Strategic Plan to Strengthen Facilities, Audience, & Artist Support

The staff and board of directors of Spudnik Press are honored to announce our 2019-2021 Strategic Plan that will guide the work of our organization for the next 36 months. Created with support from the Arts & Business Council‘s program, Business Volunteers for the Arts, this document is designed to strengthen our organization through four aspects critical to our mission. Facilities, Audience, and Fundraising all feed into the final goal and fundamental purpose of our organization: Artist Support.

This plan lays out overarching goals as well as a road map to what we hope to accomplish in the next three years. For more details or to becoming involved as a volunteer or committee member, please contact Executive Director, Angee Lennard.

Support our 2019-2021 Strategic Plan 

Facilities & Equipment:

Spudnik Press facilities and equipment are able to fully accommodate the programmatic and administrative needs of the organization while ensuring a welcoming, accessible, efficient, and safe work environment for staff and visitors. A capital expenditures plan enables the organization to make cost-effective decisions regarding all facilities and equipment improvements.

Key Activities:

  • Assess all facilities, equipment usage, digital tools, safety, studio and office workflow.
  • Establish a capital expenditure fund.
  • Schedule short- and long-term facility and equipment improvements.

The Bottom Line:

  • Better equipment, better work flow, more opportunities to print

Artist Support:

Through better understanding the needs of the artists we support, specifically those who are seeking opportunities to develop their artistic and professional skills, Spudnik Press Cooperative will identify and provide impactful professional opportunities that enable artists to sustain and advance their artistic careers.

Key Activities:

  • Collect feedback from current and past program participants.
  • Modify, enhance, or expand current opportunities.
  • Build relationships with more art enthusiasts, curators, art consultants, gallerists, collectors, and peers.

The Bottom Line:

  • Our programs provide pivotal career-advancement opportunities.
  • Artists can financial support their art practice.

Audience Development:

Spudnik Press Cooperative will increase the diversity of our audience, both those we serve and those who support our mission in regards to race, ethnicity, class, gender identity, sexual orientation, and physical ability. To ensure that the organization remains accessible and approachable to all who wish to benefit from our programs, the organization will employ a range of approaches, including clear and compelling public communications and ongoing outreach efforts to new audiences.

Key Activities:

  • Evaluate opportunities to increase accessibility and value of programs to various audiences in regards to race, ethnicity, class, gender identity, sexual orientation, and ability.
  • Increase outreach events throughout the city.
  • Develop partnerships with arts organizations throughout the city.
  • Update marketing materials to better communicate our value and inclusivity.

The Bottom Line:

  • Spudnik Press supports more creative people through out the city.
  • Spudnik Press is more accessible and more equitable to more people.

Income Development:

Spudnik Press Cooperative is able to garner new sources of revenue from a broad range of supporters including but not limited to individual donors, corporations, foundations, and institutional partnerships for the purpose of bolstering Spudnik Press Cooperative programs. In order to achieve this goal, the organization will maintain a full and diverse board.

Key Activities:

  • Seek additional corporate support in the form of grants and in-kind donations.
  • Grow the Annual Benefit to garner additional funds for the organization.
  • Welcome more individual donors to the Giving Circle.
  • Generate new art sales through art fairs and online platforms.

The Bottom Line:

  • The Studio Fellowship Program is funded through grants or sponsorships.
  • Artwork produced at Spudnik is placed in local and national private collections and museums.
  • Increased financial stability to ensure long-term viability for the organization.

Because each goal feeds into other goals, staff is beginning to work across all four goals this fall. As the plan gets underway, the organization plans to seek feedback from the community through a mix of online surveys, in-person meetings, and volunteer committees.

Our 2019 Annual Benefit, The Price is Nice, will be held on October 19. Spudnik Press aims to raise $50,000 to support our Strategic Plan and ongoing programs.

Call For Programming Committee Members

The Programming Committee facilitates programs that expand interest and understanding of print media and its profile, within the context of the contemporary art community.  

The Committee plays an advisory role as it works closely with the Program Director and the Executive Director to develop and plan public programming, i.e., artist lectures, panel discussions and visiting artist presentations.  In 2018, the Committee kicked off the inaugural Chicago Print Crawl.  The Committee assists the Program Director by providing logistical support, in-kind donations and oversight.

Meeting Schedule:

  • 6pm on the 2nd Wednesday of even months (Feb, April, June, Aug, Oct, Dec)


  • Must be able to commit to attending the majority of Programming Committee Meetings.
  • Expected to contribute additional time outside of events to support programs and events planned by the committee.

To Apply:

  • Email with the subject “Programming Committee”.
  • Please include your name and phone number and any particular interests you have in joining the committee
  • The Programming Committee is first come, first serve. If response exceeds our capacity, a wait list will be formed.