Vidisha Aggarwal

Fellow

Services Offered:

  • Exhibition Opportunities
  • Printmaking Commissions

Website:

vidishaaggarwal.com

Project Statement:

I would like to use my time at the Spudnik Press Cooperative to reflect upon and bring to fruition the many ideas that I experimented with throughout my school career to create a polished body of works that I can eloquently talk about, exhibit and share with the world.

My practice thus far has included creating experiential, interactive installations at a human scale that transform and manipulate the space around them through participation and interaction. An exploration that started with the intention to challenge the traditional roles of artists and viewers has now transcended into exploring more nuanced and personal topics of belonging, authorship, and agency that we as occupants have within the spaces that surround us. While I was previously drawn to the simplicity that my dyed and printed fabric constructions processed within the myriad of colors, textures and opacities employed, they lack a more concise language of mark making and representational content that could drive the work further. I would like to use silkscreen printing, as an extension of the drawing process, to translate images onto the fabrics that I have previously dyed and heat-pressed to combine the drawing, painting, and printing skills I have learned over the years with the surface that I have come to enjoy the most.

Heather K. Anderson

Littlehahas, HKAnders, ThisNewForest

As, Lookingglass Theatre’s first graphic designer, Heather worked on promotions from concept to finish and became a design resource for the company. Currently she runs her own studio This New Forest, works on illustrations through Little Hahas (commissioned illustrations, cards and wrapping papers) and produces art, HKAnders.com. Her personal work focuses the fleeting reality of life and explores natural elements . She is on the working board at the Chicago Design Museum, where she actively volunteers as an Event Director. She also prints, makes and creates at Spudnik Press.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

littlehahas.com/ thisnewforest.com/

Classes by this Artist:

Pocket Movies: Make Your Own Flipbooks
Screenprinting for Tree Huggers

Products by this Artist:

Gwyneth Zeleny Anderson

Gwyneth is a depressed animist, descended from European invaders and immigrants, based in Chicago and Baltimore. She makes time for the animation, absurdity, patterns, and paradox of humans and not-humans, often focusing on sensations and systems that are invisible to us due to their immateriality, proximity, or assumed normalcy. She’s presented work in galleries, festivals, forests, and empty lots throughout the Northern Hemisphere, including with Roots & Culture, Roman Susan, Woman Made Gallery, Hyde Park Art Center, and 6018 NORTH in Chicago; the Freies Museum in Berlin; and @ptt in Geneva. As an artist in residence, she’s gestated at the Experimental Sound Studio (Chicago), FRISE (Germany), Harold Arts (Ohio), Arteles Creative Center (Finland), and Utopiana (Switzerland). She teaches teenagers at the Lutz Center for After School Matters, and has taught in many other institutions including the Museum of Contemporary Art Chicago, Ox-Bow School of Art and Artist Residency, and Johns Hopkins University’s Baltimore Youth Film Arts. She holds a BFA from the School of the Art Institute of Chicago, and received her certificate from the Center for Deep Listening in 2018. She thinks artist bios and CVs are deceptive in nature.

Services Offered:

  • Exhibition Opportunities

Website:

gwynethvzanderson.com/home.html

Alexandra Antoine

My current work focuses on portraiture and the visual representation of languages of the African diaspora. My linear color layout signifies my tracing of ancestry and heritage and I use text in Creole to showcase my native tongue, drawing from stylistic representations found around the city of Port-Au-Prince and Leogane, Haiti, specifically on “tap-tap” buses. I combine reconfigured Mud Cloth and Vévé symbols from Mali and Haiti respectively that are representative of my subjects personality and life experiences.

Services Offered:

  • Exhibition Opportunities
  • Illustration

Website:

www.alexandraantoine.com/

Atlan Arceo-Witzl

Fellow

Atlan Arceo-Witzl is a Mexican-American visual artist and creator whose work is concerned with everyday rituals, icons, symbols, objects, and language. He is a recent graduate of Skidmore College with a BS in Studio Art, concentrating in relief printmaking, sculpture and drawing. He lives outside of Chicago in Oak Park, IL pursuing a career in the arts and enjoying the fascinating human game of communication.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

atlan-arceowitzl.squarespace.com/

Project Statement:

While studying printmaking in my undergraduate program at Skidmore College, I found an interest in ritualistic repetition of form, communication through symbols, and collaboration between mediums. My heritage has played an important role in influencing the imagery of my work, drawing from Mesoamerican culture through to kitschy American print ephemera. There is a peculiar duality between things concrete and disposable, ancient and contemporary.

The visual effect of a print changes depending on its context and the way it is utilized. Some display words and images to advertise or bring attention to an idea. Some adorn a blank space, adding richness to the foundation layer. Others are the couriers, the mortar between human communications.

At Spudnik, I am interested in producing a cohesive body of work. I hope to experiment with printing on various substrates and combining different printing processes including letterpress, screen printing, woodcut relief, and risograph. Through this series, I seek to further explore the dynamic possibilities in communicating through symbols.

Lisa Armstrong

Fellow

Lisa Glenn Armstrong is a multidisciplinary designer and educator currently based in Chicago. She received her MFA in Motion Graphic Design from California Institute of the Arts in 2018 and her BFA in Graphic Design from DePaul University in 2012. She currently teaches DePaul University’s School of Cinematic Arts.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

www.lisaglennarmstrong.com/

Project Statement:

In my work, I explore themes of metaphysics, healing, and vulnerability. As a motion and graphic designer, I often employ the use of typography combined with abstraction and illustrated forms. My thesis work in graduate school involved a series of projects centered around empathy, a subject I plan to continue to investigate through my fellowship at Spudnik Press Cooperative.

Moon Bang

Born in Seoul, South Korea Currently living in Chicago, USA I make narrative images and objects to tell the stories about the experiences you and I have to encounter everyday.

Services Offered:

  • Exhibition Opportunities

Website:

www.moonjeongbang.com/

Lea Basile-Lazarus

Lea Basile Lazarus received her BA in Art Education from The College of New Jersey and her MFA, with a concentration in Printmaking, from the School if the Art Institute of Chicago. She has been teaching art for 20 year, currently at Beacon Academy, a Montessori High School in Evanston. Lea is a working artist making contemporary prints, paper pulp collages, and sculptures. She exhibits her work in the Chicagoland Area. Over the past couple of years, Lea has had one person shows at the Center of Halsted, Chicago, Lill Street Art Center, Chicago, and Curt’s Café in Evanston. Lea happily owns and operates a Conrad Printing Press.

Services Offered:

  • Exhibition Opportunities
  • Printmaking Commissions

Website:

www.leablazarus.com/

Molly Berkson

Fellow

Molly Berkson is a multi-disciplinary artist working primarily in paper, print, book, and fiber crafts. She has a fondness for the subcultures and subcultural practices that employ amateur and anti-authoritarian ideologies, and an appreciation for craft in all its forms–in its distinct and intermingling boundaries. In her practice, she patchworks together these specific aesthetic practices and do-it-yourself methods.

Berkson lives in Chicago and is a teaching artist with After School Matters and ElevArte Community Studio. She recently exhibited work at After School Special in Milwaukee WI, Femme4Femme in Chicago as part of 2nd Floor Rear, and at the Women’s Studio Workshop in Rosendale, NY, where she was a studio intern in 2016. Berkson graduated with her BFA from the School of the Art Institute of Chicago in 2015.

Services Offered:

  • Exhibition Opportunities
  • Printmaking Commissions

Website:

www.mollyberkson.com/

Project Statement:

While working at the Women’s Studio Workshop last year, I learned about processing plants for papermaking and using different print processes on handmade paper. I collected plants from the roadside, made them into pulp and played with couching different fibers on top of each other. I then experimented with woodcut, letterpress and silkscreen on top of crispy, smooth, or soft fibers.

At the same time, I began sewing my first quilt. By working in these methods simultaneously I felt the ways that these distinct skills are connected. Couching shaped sheets was like piecing quilt squares, building compositions from variations in texture and color of plant material. A woodcut printed on the surface was the top stitch connecting the pieces together.

Like quilting, these paper works used a type of waste material: ruderal plants and weeds were like the plant world versions of collections of unused textile scraps in the quilter’s studio. Fundamental to my work is an understanding that fiber craft and print media facilitate exchange, tell stories, and can occupy categorizations of both expert and amateur distinctions. Making quilt-like paper works at the Women’s Studio Workshop began to touch on these ideas.

At Spudnik, I want to push these quilt-paper pieces further. I envision this project developing over three parts: 1. Experiment with the handmade paper I already made, building up layers of prints, collaging techniques together, and developing concept. 2. Using this first step as research to make a new batch of ruderal plant quilt-paper, and then 3. Editioning prints.

Jenna Blazevich

Vichcraft Design Studio

Chicago-based product & branding designer, calligraphy instructor, and feminist artist.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design

Website:

www.vichcraft.com

Molly Bounds

Molly Bounds is a printmaker and illustrator living in Denver. Her prints explore how power, authority, and the structural training of doubt can undermine those who lack agency in determining their futures. Influenced by aesthetics and narrative sequencing within alternative comics and zine culture, she aims to emulate others who have used zines as a forum of dissemination of subjective experience, in order to voice stories which are rarely shared in normative culture.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

mollybounds.com/