Anita Jung

Member / Past Artist-In-Residence

Professional artist, lecturer, and educational activist Anita Jung creates works of art involving repurposing, printmaking, stencils, installation and shadow art that are known and exhibited internationally.

Services Offered:

  • Printmaking Commissions

Website:

www.anitajungart.com

Residency Period:

Jun 2018–Jun 2018

Project Statement:

Anita Jung applied to the 2018 Artist Residency at Spudnik Press with her partner Tom Christison. While they are an artist couple who maintain separate studios and studio practices, both explore an aesthetic and political practice that involves recycling and fragmentation. Their work comes from a dedicated practice of making in a world that seems to continuously be on the brink of self- destruction. This residency will examine the cross-fertilization of ideas, techniques and dialogue that influence their works. Their studios are across town from one another, the Spudnik residency will not only permit them to experience working in closer proximity but to take advantage of the planned Chicago Print Crawl through a participatory community-based event.
Image: Anita Jung, Jali Sunyata 1, 2017 (detail).

Erick Jurado

GSS Visual

Erick Jurado’s interest in screen printing, is primarily focused how the process/medium interprets an image, specifically, a photographic/digital image. He is a Graphic Designer by profession, and utilizes screenprinting as a creative outlet. He looks forward to opportunities that allow him to merge his profession with the creative outlet.

Additionally, he enjoys long moonlight walks on the beach and playing love songs on his guitar.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

screenprints.erickjurado.com/

Anne Kelly

Anne Kelly has studied a wide variety of printmaking and encaustic mixed media techniques with several artists, including Sarah Smelser, Dutes Miller, Donna Brown, Steve Fisher, Jeffrey Hirst, and Sarah Rehmer, in an effort to hone her own personal style and process. Her printmaking often centers on viscosity-inked monoprints that experiment with color and overlapping, repetitive layers. Surrounding landscape features are her primary influence, particularly the Niagara Escarpment connecting her to her daughter Mamie in Stratford, Ontario. Additionally Anne enjoys creating collagraph prints from found objects.

Alex Kostiw

Member / Past Artist-In-Residence

Alex Kostiw is a graphic designer, artist, and educator in Chicago. She works with folks to tell their stories through brand identities, publications, and printed matter. In her own practice, she deals in poetic and reimagined text and image, visual structures of comics, and conceptually driven forms. Alex teaches at the School of the Art Institute of Chicago.

 

 

Services Offered:

  • Graphic Design
  • Illustration

Website:

alexkostiw.com

Residency Period:

Sep 2016–Dec 2016

Project Statement:

Reading is both encounter and empathy, an act in which we are given another place or perspective and allow ourselves to mistake it for our own. My practice explores reading and its potential through books of experimental comics and short fiction. I think of books as mysterious containers or knots in our reality—small, yet holding a remarkable density of experience. My books are typically slim and light and have an interactive quality, opening for the reader in unusual ways. They require the reader to twist or turn or peek into the work to unravel its content. The physical form reflects the story’s twists and turns; creates opportunities to surprise and entrance the reader (say, with a mark hidden in a fold, or recombining images); and moreover, suggests that what we see is just a trace—an idea that is tied to comics’ structure. I am fascinated by the gutters in comics, the gaps between panels where much of a story lives. This white space is rich with implicit moments that the reader knows reflexively. It locates the story, its environment, and its characters are existing somewhere between the book and the reader’s imagination, but not wholly in either place. To explore this notion, my comics and writing play on and push how little I can give to a reader while still establishing the sense of a substantial narrative. While the sculptural book form creates literal hidden spaces, sparse visuals and brief text invite the reader’s careful attention and realization that the gaps are not empty, but home to an invisible world. A great influence on my practice has been Anne Carson’s if not, winter, her translation of the poet Sappho’s work, which survives only in small fragments. The result is disjointed lines consisting often of short phrases or even just single words that, despite being incomplete, feel incredibly loaded with meaning. The full, original meaning of the poetry is inaccessible to the reader, but the poignancy of its fragmentation makes what remains potent. I parsed out some of my thoughts on the book in an essay comic [Sappho], but haven’t shaken its hold. My illustrations are also informed by traditional comics, which usually render things simply to make the story easy to inhabit, avoiding the static feel of realism. Economic use of line and color allows me to shift between figurative and abstract, making illustrations almost open-ended, hinting at specific characters, objects, and settings with restrained detail, and activating negative space. My narratives also put the tangible and intangible in tension, posing questions of what is real, what isn’t, and to whom. They put emotional and physical distances between characters, and point to them as a realm of misunderstanding. Some pieces create that kind of distance for the reader as well by introducing a recognizable subject, then skewing it into something unfamiliar. My work seeks to complicate the reader’s understanding of reality by fostering the sense that there exists more than what they can see and comprehend. Reading becomes a kind of magic that actives a narrative and grazes its invisible world; and, with the work relying on the reader’s physical and imaginative efforts, my aim is for the magic to be carried in them beyond the page.

Products by this Artist:

Jo Ana Kubiak

Jo Ana Kubiak creates remarkable content and experiences by viewing projects through an interdisciplinary lens, being sensitive to the consumer’s experience, challenging common assumptions and keeping things authentic.

“I process the world in a creative way. This characteristic manifests itself through problem solving, idea generation and visual inspiration. I’ve found keeping my hands in the process of physical creation not only allows for a quiet place where unique ideas are born, but it keeps me in touch with the creative process, design thinking. The fast iteration, the clashing of unlike ideas for something new, play, and the standing back to assess whether to scrap the work entirely or turn it upside-down for something new.”

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration

Website:

jkubiak.com

Dan Landgren

2020 Fellow

I am a motion and graphic designer based in Chicago. I graduated from DePaul University with a BFA in Graphic Design and a minor in Animation. As a multi-disciplinary designer, artist, and printmaker I have experience in 2D/3D animation, UX/UI design, videography + photography, bookmaking, screen printing, and risography. The driving force behind my work is experimentation and learning.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

www.dlandgren.com/

Gary W. Lehman

Gary Lehman is a Chicago based visual artist. He captures the emotional and physical characteristics of a subject through gestures. The subject matter consists of emotional charged spaces, buildings or events. Currently he is working on a variety of linoleum block prints, which best characterize his linework and artistic style.

He has completed artwork across a range of media but all of it reflects is personal style. Currently he is working in a printmaking media and relief sculpture.

Services Offered:

  • Exhibition Opportunities
  • Illustration
  • Printmaking Commissions

Website:

www.garywlehman.com/about/

Angee Lennard

Founder & Director

In the ten years since Angee Lennard founded Spudnik Press Cooperative, Chicago’s nonprofit community-based printmaking studio, the organization has evolved from an experimental work/live space to a multi-facetted organization unique in its dedication to providing approachable access to fine art printmaking to anyone who wishes to be creative through print. Under her leadership, Spudnik Press Cooperative provides pathways for individuals to grow their artistic practice over time and at their own pace through studio access, residencies, fellowships, classes, exhibitions, collaborative projects and public programs.

Angee Lennard is also a devoted educator whose teaching experience ranges from arts administration to illustration. As a lecturer at SAIC in the Arts Administration and Policy department, Lennard is able to share her perspective on the parallels between art making and arts administration and inspire students to find enjoyment in administrative roles. At Marwen, Lennard leads high school students through illustration, design, and printmaking projects. Her teaching at Spudnik Press Cooperative focuses on the technical elements of printmaking. She earned a Bachelors of Fine Arts with an emphasis in Printmedia from SAIC in 2005.

Fun Facts: Angee owns chickens (and eggs)! She believes that the egg came first.

E-mail: angee@spudnikpress.org

Photo by Jamie Davis.

Website:

www.angeelennard.com

Classes by this Artist:

Intro to Printmaking
Stop Motion Animation
Printmaking Survey: Monoprinting, Etching, Letterpress
Screenprinting Refresher
Screenprinting Refresher
Printmaking Foundations: Relief, Etching, Screen
Screenprinting 201: Color Theory for Screenprinters
Etching & Intaglio Printmaking
Screenprinting Refresher
Screenprinting Refresher (Sep 2016)
Etching & Intaglio Refresher
Printmaking Foundations
Screenprinting Refresher
Color Theory for Screenprinters
Printmaking Foundations
Screenprinting Refresher (July 2017)
Screenprinting Refresher (Oct 2017)
Pre-Press Workshop: File Prep for Stress Free Printing
Screenprinting Refresher
Screenprinting 201: Color for Screenprinters
Screenprinting Refresher
Pre-Press Workshop: File Prep for Stress Free Printing
Pre-Press Workshop: File Prep for Stress Free Printing (January)
Studio Access Training: Nu-Arc Platemaker

Products by this Artist: