Rob Kelsey

Rob Kelsey first experienced printmaking at DePaul University, where he studied animation and developed a distaste for digital art processes. Printmaking was his first window into the joys of older artistic forms that simply cannot be replicated digitally. Intaglio led to screenprinting led to bookbinding led to a desire to dabble in as many media as possible, combining and crossing them where appropriate, and exploring themes and imagery from folklore and superstition.

Follow him on Instagram at: @truly.ghouly

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Rebecca Lothan

Rebecca Lothan (b. 1992, Chicago) is a visual artist based in Chicago. She received her BFA from Washington University in St Louis in 2015, and is the recipient of the 2015 Peter Marcus Prize in Printmaking and the 2013 Marsha Blasingame Award in Printmaking.

Driven by a collage sensibility, Rebecca uses everyday and found materials to examine the spaces between and around traditional media.

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Parita Shah

Parita is a world traveler and a mid-western baby. She is bothered neither by the searing sunshine of Tamil Nadu, nor the frigid winds of Chicago. Parita’s creative works are generated via art and craft practices such as drawing and bookbinding. Her media comfort zones include drawing, painting, photography, print, bookbinding, paper making, music and more.

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Keara McGraw

Keara McGraw is a Chicago-based illustrator whose passion for storytelling just barely eclipses that for peanut butter. She holds a BFA in Illustration from Columbia College Chicago, and was named Columbia College’s 2015 Illustrator of the Year.

Illustration is her library, and she loves archiving details through research and linework. She began screenprinting because her heart felt a calling for handmade kitchen towels, and thinks ironing is cathartic. She will never stop drawing birds.

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Jessica Mitton

Development Manager

Jessica joined Spudnik Press Cooperative in Spring 2015 as Development Manager, bringing her diverse background in nonprofit administration, fundraising and event planning. She received a Bachelor of Arts in Political Science and Legal Studies from the University of Wisconsin-Madison, followed by her Masters of Public Administration from the University of Illinois at Chicago.

Stephanie Benhaim

Stephanie Benhaim is a painter and printmaker born and raised in Miami, Florida. She received her BFA from Pacific Northwest College of Art in Portland, Oregon in 2014. Benhaim is known for creating monotype portraits that grapple with themes of diaspora and the erasure of identity. Her works have been published in Jai-Alai Magazine and OTPW Zine Works.

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Eliz Kaple

Eliz Kaple is a print and new-media artist based in Chicago, Il.  Her practice relies primarily on printmaking, bookbinding, and video.  Through the use of diagrams and architectural structures, she reimagines planes of perspective and reanimates inadequate spaces.

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Darian Longmire

Darian Longmire is an interdisciplinary artist currently living in Chicago IL. He studied visual art and graphic design at Illinois State University, graduating in 2013. His work deals with conceptual approaches to exploring cosmology, the study of the universe. Monoprinting and assemblage currently drive his print based endeavors. Darian will be seeking MFA candidacy at a list of chosen institutions for the fall 2016 term.

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Margaret Hitch

Margaret Hitch is a printmaker, illustrator and sometimes poet hailing from the upper peninsula of Michigan. Last year, she received a BFA from the University of Michigan in Ann Arbor, where she spent a lot of time with litho stones and birch plywood. Margaret’s print works often illustrate or work in tandem with her poems. Through the fellowship at Spudnik, she hopes to make three small books that experiment with relationships between text and image.

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Leila Abdelrazaq

Leila Abdelrazaq is a Palestinian, Chicago-based artist, author, and activist. Her debut graphic novel, Baddawi, was shortlisted for the 2015 Palestine Book Awards. She is also the author and illustrator of a variety of short comic zines. She views alternative comix as a powerful political tool in social movements.

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Angela Davis Fegan

Angela Davis Fegan is a native of Chicago’s South Side. She received her BFA in Fine Arts from New York’s Parsons School of Design and her MFA in Interdisciplinary Book and Paper Arts from Columbia College Chicago. Angela has mounted shows at Galerie F, Chicago Artists’ Coalition, the DePaul Art Museum, The Center for Book Arts (NY), the University of Chicago’s Arts Incubator and Center for the Study of Gender and Sexuality, the Hyde Park Art Center, SAIC’s Sullivan Galleries, Columbia’s Glass Curtain Gallery, SPACES (OH) and Revolve (AVL). She has held residencies at the Chicago Artists’ Coalition, F4F, Connecticut College, the Hambidge Center (GA), Revolve (NC), and Project Row House (TX). Her work has been selected for book covers including The Truth About Dolls by Jamila Woods, Secondhand by Maya Marshall, and All Blue So Late by Laura Swearingen-Steadwell. Her lavender menace poster project has been written up by The Offing (LA Review of Books), Hyperallergic, Chicago Magazine, the RedEye, Go Magazine, Pop Sugar, the Chicago Reader, and Newcity.

Angela joined Spudnik Press as a teaching artists in our inaugural 2022 Teaching Artist Cohort.

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Devin Owsley-Aquilia

Devin Owsley-Aquilia is a visual artist with great interests in printmaking, drawing, fibers and painting. Originally from Dayton, Ohio, she moved to Milwaukee to attend the Milwaukee Institute of Art and Design where she received her BFA in printmaking  in 2015. Her work in print involves various abstracted representations of anatomical form, material and growth that are used as personal symbols of progression and transition of identity. She has recently relocated to Chicago to further challenge her work in printmaking.

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Project Statement:

During this three month residency, I would like to work on a series of intaglio prints. In the past, I’ve always been interested in the variable print when working on an etching project using chine collé, a la poupé inking and other experimental monotype methods. For the past year I have been fascinated with the spitbite aquatint technique in combination with line work. The most intriguing part of this process are the subtle shifts that this technique allows in the image. For this project I would like to extend what I already know and make a series of edition-able, multiple plate prints allowing a larger color palette range. Being in this mode of working on multiple plates, I’m interested in how the image will develop through process, as well as challenge/ extend knowledge of color, form and printing skills.