William Estrada

William’s art and teaching is a collaborative discourse of existing images, text, and politics that appoints the audience to critically re-examine public and private spaces. As a teacher, artist, and cultural worker he reports, records, reveals, and amplifies experiences you find in academic books, school halls, teacher lounges, kitchen tables, barrios, college campuses, and in the conversations of close friends to engage in radical imagination. William is currently engaging in collaborative work with the Mobilize Creative Collaborative, Chicago ACT Collective, and Justseeds Artists’ Cooperative.

Website:

werdmvmntstudios.com/home.html

Angela Davis Fegan

Angela Davis Fegan is a native of Chicago’s South Side. She received her BFA in Fine Arts from New York’s Parsons School of Design and her MFA in Interdisciplinary Book and Paper Arts from Columbia College Chicago. Angela has mounted shows at Galerie F, Chicago Artists’ Coalition, the DePaul Art Museum, The Center for Book Arts (NY), the University of Chicago’s Arts Incubator and Center for the Study of Gender and Sexuality, the Hyde Park Art Center, SAIC’s Sullivan Galleries, Columbia’s Glass Curtain Gallery, SPACES (OH) and Revolve (AVL). She has held residencies at the Chicago Artists’ Coalition, F4F, Connecticut College, the Hambidge Center (GA), Revolve (NC), and Project Row House (TX). Her work has been selected for book covers including The Truth About Dolls by Jamila Woods, Secondhand by Maya Marshall, and All Blue So Late by Laura Swearingen-Steadwell. Her lavender menace poster project has been written up by The Offing (LA Review of Books), Hyperallergic, Chicago Magazine, the RedEye, Go Magazine, Pop Sugar, the Chicago Reader, and Newcity.

Angela joined Spudnik Press as a teaching artists in our inaugural 2022 Teaching Artist Cohort.

Website:

angeladavisfegan.com

Chris Flynn

Chris Flynn is an artist, printmaker and drummer from Chicago who earned his MFA in Interdisciplinary Arts from Columbia College Chicago in 2017. Since earning his BFA from the School of the Art Institute of Chicago in 1999, Flynn has been the Master Printer for Anchor Graphics, collaborating with an extensive range of artists and teaching printmaking to students of all ages and experience.

Statement

Chris Flynn’s current art practice builds on an open body of work entitled The Antigravity Puppet Project, which integrates sculptural papermaking and print media with percussion music and sound art. The Puppet is a self-portrait as a human-scale marionette, while The Antigravity Project is its dissection by image and sound. The figure, its fragmented image and its internal soundscape are played beside each other in translation games between graphic and musical forms, telling the allegory of the puppet through percussive sound composition, photogravures, visual scores and data glitches.

Website:

cflynnprints.com/

Classes by this Artist:

Photopolymer Intaglio
Photopolymer Intaglio (May)

Alex Fox

Studio Fellow (2021)

Alex Fox is a printmaking artist from Des Moines, Iowa via Bulgaria. He recently graduated with honors and distinction from the BFA printmaking program at the University of Iowa. His current area of focus is silkscreen printing on fabric, and he plans on combining this with sculptural elements moving forward. In April 2021, he showcased his first exhibition titled Façade, exploring themes of identity and encompassing a variety of mediums such as oil painting, sculpture, printmaking, photography and textiles. As a new graduate, he is looking for opportunities to develop his printmaking career.

Website:

afox80525.wixsite.com/mysite

Willa Goettling

Willa Goettling is an educator and artist based in Brooklyn, NY. She’s interested in art as a tool for information sharing and community building, and her art practice is largely based around the production and distribution of democratic multiples such as artists’ books, zines, and other printed matter. Willa received her MFA in Interdisciplinary Book & Paper Art from Columbia College Chicago (2019) and BA in Medical Anthropology & Global Health from the University of Washington (2016). While at Columbia, she was a Print Production Fellow and contributing writer for the Journal of Artists’ Books; taught both undergraduate and graduate printmaking workshops; and received an Albert P Weisman Award for her MFA thesis. In 2020 she was an Artist in Residence at Eureka! House in partnership with the Center for Artistic Activism (Kingston, NY). She currently serves as the Program Manager at Smack Mellon and teaches publishing and printmaking workshops through Ugly Duckling Presse (Brooklyn, NY), Spudnik Press Cooperative (Chicago, IL), and the Independent Publishing Resource Center (Portland, OR).

Services Offered:

  • Exhibition Opportunities
  • Printmaking Commissions

Website:

www.instagram.com/willakatrin/

Classes by this Artist:

Textile Art: Print, Embroidery, & Dyes (Online Class)
Simple Book Structures [VIRTUAL] (8/22/21)

Products by this Artist:

Kristen A. Hartman

Gute & Berg Press

MFA Book Arts Graduate from the University of Iowa Center for the Book and Returned Peace Corps Volunteer (Ukraine 2011-2013) // Maker of things, purveyor of words.

Services Offered:

  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

kristenahartman.com

Serena Hocharoen

Serena Hocharoen is experimenting with installations, meals, mixtapes, zines, and toys for curiosity and storytelling. Her practice is about diasporic restlessness: harnessing the destabilization powers of dreaming, care, and gathering for survival and healing.

She holds an MFA in Printmaking from Tyler School of Art and Architecture, and a BA in Studio Art and Chemistry from Grinnell College. Her work has been exhibited at venues like Cherry Street Pier, Asian Arts Initiative in Philadelphia, and Public Space 1 in Iowa City. She likes to bike, carve spoons, attend potlucks, and sew quilts.

Serena joined Spudnik Press as a teaching artists in our inaugural 2022 Teaching Artist Cohort.

Website:

serenahocharoen.fish

Aaron Hughes

I am an artist, curator, organizer, teacher, anti-war activist, and Iraq War veteran living in Chicago. ​I work collaboratively in diverse spaces and media to create meaning out of personal and collective trauma, deconstruct and transform systems of oppression, and seek liberation. Working through an interdisciplinary practice rooted in drawing and printmaking, I develop projects that deconstruct militarism and related institutions of dehumanization. These projects often utilize popular research strategies, experiment with forms of direct democracy, and operate in solidarity with the people most impacted by structural violence.

I work with a variety of art and activist projects including: Prison + Neighborhood Arts/Education Project, Justseeds Artists’ Cooperative, About Face: Veterans Against the War, and the emerging Veteran Art Movement.

Website:

www.aarhughes.org/

Residency Period:

Mar 2021–Apr 2021

Products by this Artist:

Rachel Jackson

Studio Fellow 2021

Rachel Jackson graduated from Washington University in St. Louis in the spring of 2019 with a degree in Communication Design. Her practice is largely guided by principles of collectivism and accessibility, and reflects a personal attempt to decentralize the elitism she feels is ever-present in Western design aesthetics. Rachel is most interested in the application of design when it comes to democratic, household objects, including t-shirts, zines, and mass-produced prints. She’s often drawn to appropriating imagery from found materials, dually as an investigation of what factors led to its disposal and as an effort to reinvigorate visual languages of the past.

Image: Rachel Jackson, Guided by a Communal Spirit, hardcover, perfect bound, 160 pages, printed on Mohawk Superfine Ultra White Eggshell 60lb, 12″ x 8.5″, 2019

Mariah Joyce

My artistic practice is a tool to process and attempt to understand the world around me utilizing repetitive action as a form of meditation. I have an academic background in philosophy and a professional background in journalism, and both of those influences are evident in my visual work. Pieces typically start as questions about or attempts to understand a place I’ve been or experience I’ve had. Image and text are then combined and layered into a visual meditation, and serve to catalogue the experience and whatever feelings it evoked without attempting to make any solid determination about what it meant.

Mariah joined Spudnik Press as a teaching artists in our inaugural 2022 Teaching Artist Cohort.

Website:

www.mariahellenart.com

Kelly Kaczynski

Kaczynski is an artist and educator. While rooted in the language of sculpture, Kaczynski’s practice is across media.

Millicent Kennedy

Millicent Kennedy’s art practice collaborates with materials and time through performance, fiber, and print. The themes explored in her work often pivot on the tension between labor, and impermanence.

Kennedy serves as the Curator of Exhibitions at the Fine Arts Center Gallery in Northeastern Illinois University and teaches classes and workshops in and around Chicago, where her studio is located.

She received her MFA from Northern Illinois University where she was awarded the Helen Merritt Fellowship. She’s received solo exhibitions from Belong Gallery, SXU Art Gallery, Roman Susan and Parlour and Ramp. 

Millicent joined Spudnik Press as a teaching artists in our inaugural 2022 Teaching Artist Cohort.

 

Website:

www.millicentkennedy.com

Logan Kruidenier

Logan Kruidenier is an artist and teacher from Goleta, CA and currently based in Chicago.  His work explores narratives, daydreams and the art of masking.  He bikes around the city and eats peanut butter from the jar.

I am a multi-media artist. I love making comics (read on my Tumblr and Ello pages), prints, drawings, and most recently I have begun staging public art installations and performances. The format of the Narrative is important to my work, as are the themes of immersion, identity, and consumption.  My industry experience includes designing logos, creating custom brands, illustration, concept art and storyboarding.

Send me an email if you would like to get in touch. I am always interested in any ideas you may have concerning collaboration, omelette combinations (personal favorite: broccoli, mushrooms, spinach and cheddar) or other questions. -Logan  : > )

Services Offered:

  • Graphic Design
  • Printmaking Commissions
  • Illustration

Website:

www.logankruidenier.com/

Classes by this Artist:

Risography 101 (May)
Risography 101 (November 6)
Risography 101 (September)
Risography 101 (February 10)
Risography 101 (March)
Risography 101 (April)
Risography 101 (May)
Risography 101 (June)
Risography 101 (August)
Risography 101 (Early October)
Risography 101 (Late October)
Risography 101 (November 2019)
Risography 101 (Late September 2019)
Risography 101 (December 2019)
Risography 101
Risography 101
Risography 101
Risography 101
Risography 101
Risography 101 (8/15/21)
Risography 101 (8/25/21)
Risography 101 (8/29/21)

David Krzeminski

My fine art is mostly an exploration of high-contrast abstract drawings. Free-form lines, dots, and shapes are combined with ridged grids and geometric patterns to create pieces that are randomly drawn, yet highly structured compositions. Most of my pieces are created as black and white ink drawings, and then select pieces are reimagined by screen printing them with high-contrast, fluorescent, and vibrant colors.

David Krzeminski. Artist/Graphic Designer living in Chicago. Graduated from Northern Illinois University with a BFA in Visual Communication (2009). Currently working full time as a Graphic Layout Specialist for Freeman Decorating since 2013.

Services Offered:

  • Exhibition Opportunities
  • Graphic Design
  • Illustration
  • Printmaking Commissions

Website:

www.davekrz.com/

Products by this Artist:

Nicolette Lim

Member

I am a Malaysian born artist that is currently based in Chicago. I work across mediums with a core in drawing and print. My work seeks to expose the inherited myths of inevitable violence created by the colonizers in Malaysian history, and how it has affected the queer community, women and the environment in my home country.

Services Offered:

  • Illustration
  • Printmaking Commissions

Website:

www.nicolettelim.com

Nicolette Lim

Studio Fellow 2021

Nicolette Lim is an interdisciplinary artist with a focus in installation and a core in drawing. Originally from Malaysia, she moved to the states in 2014, and graduated in the Fall of 2018 from the University of Kentucky with a BFA in Studio Arts. Working across different mediums such as printmaking, animation and sculpture, her work depict queerness in the context of her home country Malaysia, where violence is an inherited norm from its colonizers. She investigates these affects on the queer experience today and the false norms that have been taken as inevitable. Nicolette currently resides in Chicago.

Image: Nicolette Lim, Twelve Canes, Graphite drawings, twigs, yarn 7ft x 3ft, 2018

Website:

www.nicolettelim.com

Ariandy Luna

Fall 2021 Intern

Ariandy Luna is one of the new college interns for the fall 2021 term. She is currently attending her first year at Harold Washington College, and plans to transfer to art school after she earns her associate in arts. Being Latina, a lot of her art consists of different cultural themes that stem from growing up in the Southside of Chicago. 

Services Offered:

  • Illustration

Benjamin Merritt

Resident Artist

My prints and drawings seek to challenge normative readings of the culturally and scientifically constituted body through the use of text. This body is a body that is complete and never changing, a body that is individual and closed, a body that is readable, and a body known through sight. These ideas are constructed by ideological structures such as language and objectivity, as well as cultural institutions like hospitals. In my work, I don’t seek to denounce these ideological structures and institutions (as my relationship to them is one of necessity) but rather to suggest ways of rethinking the constructed body that are more beneficial to, and understanding of, bodies that don’t fit into these norms.

I utilize processes of drawing and printmaking, such as copper plate etching, monotype, lithography, and artists’ books. These printmaking methods produce textures and marks that are very bodily, specifically the printed mark acting as an image relating to scarring, rubbing, or touching. My work utilizes the appropriation of medical imagery, such as dermatology textbook figures and diagrams of the body contrasted against textural mark-making. I also contrast forms of writing such as indexes and clinical documents with personal and theoretical writing that explores my own relationship to illness as well as themes of how the patient body is written and recorded.

Image: Constant, Immediate, Benjamin Merritt, Etching, monoprint, 2019-2020

Website:

benjaminmerritt.com/Home-2

Residency Period:

Feb 2020–Feb 2020

Products by this Artist:

Yasi Moussavi

Yasaman Moussavi is a visual artist and art instructor. She holds an MFA with two emphases on Painting and Printmaking from Texas Tech University, where she explored and developed her skills in papermaking, printmaking, and installation art. Her work reflects the spiritual attachment to places and the emotional tension between today’s precarious living and the Persian’s poetic tradition of “living in harmony with nature.” Her works have have been displayed in many national and international solo and group exhibitions. She is a co-founder of Didaar Art Collective, a Chicago -based Iranian art community. She works and live in Chicago.

 

Services Offered:

  • Exhibition Opportunities
  • Printmaking Commissions

Website:

yasamanmoussavi.com/

Residency Period:

Sep 2017–Dec 2017

Project Statement:

During this residency, my aim is to translate human experiences of transition and displacement into a visual language by creating a series of prints made out of textured hand-made papers, such as kenaf and other natural materials. I would like to create a body of work based on my personal journey from my home country, Iran, to the U.S., and explore the feelings associated with being in between places. My final exhibition will consist of etchings that depict creatures entangled in a natural space. I want to explore the ties between individual and environment, and unearth emotions, associations, and memories that one attaches to physical spaces to discover the abiding bond between nature and us.

Classes by this Artist:

Community Workshop: Handmade Paper: Adventures with Pulp, Embedding, and Laminating
Papermaking (Sept 2017)
Papermaking: Pulp, Sculpt and Print
Papermaking: Pulp Painting (July)