2018 Artist in Residence
Anita Jung She is an artist whose work is grounded in traditions of the readymade, appropriation and art as an everyday occurrence. She investigates the act of making and the residue that is left behind. Issues concerning making and waste, and relationships between technology, machine, and the human hand inform her work.
Jung is a professor at the University of Iowa. She previously taught printmaking, drawing and installation courses at Illinois State University, Ohio University and University of Tennessee. She received a Bachelor of Fine Arts from Arizona State University where she majored in painting and drawing. The Master of Fine Arts was awarded to her from the University of Wisconsin-Madison where she worked with Bill Weegee as a printer at Off Jones Road and Tandem Press. Jung has also participated in the international IMPACT conferences in Poznan, Berlin and Tallinn. She was awarded a residency at the renowned Proyecto’ace atelier in Buenos Aires, Argentina, culminating in the exhibition Cuentos de Hadas (Fairytale). Her works of art have been exhibited throughout the United States in juried, invitational and solo exhibitions. Her art has been widely exhibited in juried, invitational and one-person exhibitions throughout the U.S. as well as India, Argentina, Iceland, Puerto Rico, China, England, Germany and Poland.
Residency Period:Jun 2018–Jun 2018
Project Statement:Anita Jung applied to the 2018 Artist Residency at Spudnik Press with her partner Tom Christison. While they are an artist couple who maintain separate studios and studio practices, both explore an aesthetic and political practice that involves recycling and fragmentation. Their work comes from a dedicated practice of making in a world that seems to continuously be on the brink of self- destruction. This residency will examine the cross-fertilization of ideas, techniques and dialogue that influence their works. Their studios are across town from one another, the Spudnik residency will not only permit them to experience working in closer proximity but to take advantage of the planned Chicago Print Crawl through a participatory community-based event.