October 25 | Letterpress Posters (4 Hours)

Join us for this fun, social workshop to see what letterpress printing is all about. During this workshop, you’ll be able to design and print your own poster using vintage type and a traditional Vandercook press. The rich, tactile quality of ink pressed into paper will leave an impression.

Each attendee will be able to choose from a variety of fonts in our collection. With these fonts, they will learn how to set and print their own short saying, phrase, or statement to create a professional one-of-a-kind poster. Our Teaching Artist will share what moveable type is, how it works, why it’s so special, and how its invention changed the world.

This one-day workshop combines an overview of letterpress printing and its unique history with hands-on making. It is a great way to try out a new craft and find out if you would love to learn the full process.

October 26 | Bookbinding 101 (4 Hours)

This workshop focuses on styles of bookbinding that are low-cost yet dynamic, and well suited for poetry chapbooks and portfolio books. Students will learn how to choose materials and create simple book structures that best highlight the content within their book.

The lessons will address the logistics of organizing book forms and explore the book as a vessel for information, and how material choices can inform how the book is read. While the workshop will create blank books, each style of binding will begin with standard 8.5” x 11” paper to allow your content to be easily printed from a common inkjet or laser printer.

November 4 | Texture in Risography (4 Hours)

Printing with a Risograph means embracing materiality. Because the machine pushes translucent ink through a stenciled master sheet onto uncoated paper, every print inherits an organic, screen-like texture. It’s a medium where color doesn’t just sit on the page—it sinks into it, creating a depth that digital mediums simply cannot replicate.

This 4-hour workshop is an immersive dive into the visual language of Riso textures. We will deconstruct how flat graphics transform into tactile art objects through ink density, overlapping tones, and screen choices. Students will learn how to design for the machine’s eccentricities, turning technical constraints—like drying time and unpredictable registration—into deliberate creative choices. We’ll demystify the hardware by learning how to change master rolls and ink tubes, giving you full creative control over the physical process. Walk away with a deeper understanding of print as a sensory experience, and a custom two-layer print of your own

Some experience with riso suggested, but not required. Students will receive risograph authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

November 9 | Screenprinting Refresher & Authorization (4 Hours)

Note: Experience is required to take this refresher class.

This refresher & authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.

The class will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.

During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.

To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.

November 10| Intro to Monotype Printing (4 Weeks)

Monotyping is printmaking in a very pure form: the transfer of ink to a singular image that cannot be duplicated. Monotypes are unique, precious, “one-of-one” and the process of creating them is ripe for experimentation, play, and working quickly through ideas and iterations.

In this 4-week class, students will learn techniques in both oil-based and water-based inks that resemble everything from delicate watercolor to chunky fingerpaint and fine ballpoint pen. Participants will also learn to work with “ghost” prints and templates to create variable editions, as well as unique and collaborative prints as a class.

Come surprise yourself and each other with the possibilities of this generous and flexible medium!

November 12 | Relief Animation (4 Weeks)

Note: this class will skip 11/26 due to the Thanksgiving Holiday and will therefore conclude on 12/10

This course is an exploration of the synthesis between animation and relief printmaking. Rather than editioning, students will produce a sequence of unique prints that will function as individual frames within a larger animation. Participants will then use Photoshop to transform their printed sequences into looping gifs. Throughout the course, students will mine the reductive and additive processes inherent to relief printmaking for their cinematic potential. Students will also gain experience with various elements of the traditional animation process, such as storyboarding and animatics. 

Over the span of 4 sessions, participants will receive personalized guidance towards completing their own ambitious, animated relief projects. This class also includes a voucher for free access to open studio hours, giving students the opportunity to conclude their project independently should they need extra time, even after the course’s completion. 

No experience in either medium is required to enroll.

This class culminates in authorization in relief printing at Spudnik. Further printing in relief can be explored through our Open Studio or Keyholder programs.

November 13 | Studio Access Training: Letterpress

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings.

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

Studio Access Trainings ensure that those with prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

What you can expect:

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

Minimum Requirements to Become Authorized:

• Have recent experience with the equipment you would like to use (within 2 years)
• Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
• Be comfortable working independently.
• Demonstrate safe and clean printmaking or art-making habits.
• Demonstrate respect to our staff and our equipment.

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons

Studio Access Training: Letterpress

This 2-hour authorization will allow participants to be authorized to print on our Vandercook Press. Printers may need to book a second on-site session to be authorized for both types of presses.

Every letterpress authorization will ensure that printers are familiar with setting up the press, mixing inks, inking the press, adjusting pressure and registration, printing, and thorough cleaning of the press and all tools. There may not be time to practice printing both a polymer plate and movable type, but both methods can be reviewed as needed.

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

November 13 | Intro to Screenprinting (4 Weeks)

Screenprinting is an art form known for its bold graphics and versatility. It is approachable, yet has many facets to explore and master. This foundational class introduces all the basic skills to get someone new to the process up and running, creating art on both paper and fabric.

A selection of projects will give students the opportunity to produce prints from hand drawings, digital designs, and photographic or found imagery. Students will become familiar with the full process — from selecting the right screen, to darkroom exposure, ink mixing, printing, and reclaiming screens. With support from an experienced printer, students will practice printing and, equally important, troubleshooting.

By the end of this class, students will know their way around the print shop and be authorized to print independently through Spudnik Press’s Open Studio program.

Note: This class skips November 27th and concludes on December 11. 

November 14 | Independent Study Relief (4 Weeks)

Note: this class requires previous letterpress experience and will also skip November 28th.

For printers who have a specific project in mind or want dedicated time to refine their craft, this four-week independent study provides the space, equipment, and structure to make it happen. This course is perfect for students with foundational letterpress experience who are comfortable with basic press operation but want a supportive environment to execute their own work.

Unlike a traditional structured class, there is no set curriculum or weekly syllabus. Instead, each student will design and print an independent project, bringing their own concepts to the press while being supported on a technical level. Through dedicated studio time and on-hand guidance, our teaching artist will be there to help with troubleshooting, registration, ink behavior, and typesetting logic. Students will be empowered to work through the nuances of their specific projects.

November 20 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

November 21 | Letterpress Cards (4 Hours)

Join us for this fun, social workshop to see what letterpress printing is all about. During this workshop, you’ll be able to design and print your own greeting cards using vintage type and a traditional Vandercook press. The rich, tactile quality of ink pressed into paper will leave an impression on the lucky recipients of your handmade cards!

Each attendee will be able to choose from a variety of fonts in our collection. With these fonts, they will learn how to set and print their own short saying, phrase, or statement to create a professional and one-of-a-kind set of cards. Our Teaching Artist will share what moveable type is, how it works, why it’s so special, and how its invention changed the world.

This one-day workshop combines an overview of letterpress printing and its unique history with hands-on making. It is a great way to try out a new craft and find out if you would love to learn the full process.

December 4 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.