Posts Categorized: Zines and Comics

Risography 102: Bring Your Own Files (Early October)

Risography 102 reinforces the skills introduced in Riso 101. Each student will bring their own project to set-up and print during the workshop.

Best practices for imposition or layout for zines and publications will be reviewed as well as tips for color separation and digital file set-up. Smart file set up is step #1 to ensure smooth and efficient printing!

Then, through creating a small run of prints during the workshop, students will get a refresher on how to make masters from digital files, how to troubleshoot paper jams and other typical print errors, and how to replenish ink and masters. Lastly, students will have the opportunity to use our guillotines to trim their prints.

This workshop is limited to just four students to ensure that everyone can print their own imagery and log time operating the machine independently. Students who take this workshop will be well suited to print and use guillotines unsupervised during Open Studio.

Students should come ready with a 2-3 color project–either a single-sided print to be completed in the workshop or a longer project to be finished during open studio. While PDF files are great, students are welcome to bring anything from text typed in Microsoft Word to photocopies.

This class typically fills up quickly, please register in advance!

Zine Workshop: Tiny Stories

During this workshop student will use personal narratives and memory to create illustrative stories. Students will create content to excavate personal stories to put into their zine. After various group and individual exercises students will use pencils, ink, brushes, and collage to create an original zine.

Risography 102: Bring Your Own Files (Late October)

Risography 102 reinforces the skills introduced in Riso 101. Each student will bring their own project to set-up and print during the workshop.

Best practices for imposition or layout for zines and publications will be reviewed as well as tips for color separation and digital file set-up. Smart file set up is step #1 to ensure smooth and efficient printing!

Then, through creating a small run of prints during the workshop, students will get a refresher on how to make masters from digital files, how to troubleshoot paper jams and other typical print errors, and how to replenish ink and masters. Lastly, students will have the opportunity to use our guillotines to trim their prints.

This workshop is limited to just four students to ensure that everyone can print their own imagery and log time operating the machine independently. Students who take this workshop will be well suited to print and use guillotines unsupervised during Open Studio.

Students should come ready with a 2-3 color project–either a single-sided print to be completed in the workshop or a longer project to be finished during open studio. While PDF files are great, students are welcome to bring anything from text typed in Microsoft Word to photocopies.

Bookbinding: No-Sew Books

This class is the perfect introduction to bookbinding. Students will learn the basic vocabulary and tools of bookbinding. They will learn how to use the guillotine to cut paper for their books and how to use a nipping press to flatten their books after folding. Students will create one single sheet book that will be approximately 5.5’X4. 25’ with 6 pages, one 2.75’X 4.25′ spiral single sheet book with 16 pages, and one 5.5’X4′ accordion fold book with 12 pages. This workshop is great for beginners or people who are currently creating comics or other media that they would like to share in a simple book structure