Posts Categorized: Studio Access Training

July 17 | Studio Access Training: Letterpress (2 Hours)

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings.

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

 

Studio Access Trainings ensure that those with prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

 

What you can expect:

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

 

Minimum Requirements to Become Authorized:

  • Have recent experience with the equipment you would like to use (within 2 years)
  • Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
  • Be comfortable working independently.
  • Demonstrate safe and clean printmaking or art-making habits.
  • Demonstrate respect to our staff and our equipment.

 

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons

 

Studio Access Training: Letterpress

 

This 2-hour authorization will allow participants to be authorized to print on our Vandercook Press. Printers may need to book a second on-site session to be authorized for both types of presses.

 

Every letterpress authorization will ensure that printers are familiar with setting up the press, mixing inks, inking the press, adjusting pressure and registration, printing, and thorough cleaning of the press and all tools. There may not be time to practice printing both a polymer plate and movable type, but both methods can be reviewed as needed.

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

July 21 | Intro to Monotype Printing (4 Weeks)

Monotyping is printmaking in a very pure form: the transfer of ink to a singular image that cannot be duplicated. Monotypes are unique, precious, “one-of-one” and the process of creating them is ripe for experimentation, play, and working quickly through ideas and iterations.

In this 4-week class, students will learn techniques in both oil-based and water-based inks that resemble everything from delicate watercolor to chunky fingerpaint and fine ballpoint pen. Participants will also learn to work with “ghost” prints and templates to create variable editions, as well as unique and collaborative prints as a class.

Come surprise yourself and each other with the possibilities of this generous and flexible medium!

July 24 | Intro to Screenprinting (4 Weeks)

Screenprinting is an art form known for its bold graphics and versatility. It is approachable, yet has many facets to explore and master. This foundational class introduces all the basic skills to get someone new to the process up and running, creating art on both paper and fabric.

A selection of projects will give students the opportunity to produce prints from hand drawings, digital designs, and photographic or found imagery. Students will become familiar with the full process — from selecting the right screen, to darkroom exposure, ink mixing, printing, and reclaiming screens. With support from an experienced printer, students will practice printing and, equally important, troubleshooting.

By the end of this class, students will know their way around the print shop and be authorized to print independently through Spudnik Press’s Open Studio program.

July 24 | Studio Access Training: Relief, Monoprint, Intaglio (2 Hours)

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings. Authorizations are free or you can pay what you can as a donation to Spudnik!

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

 

Studio Access Trainings ensure that those with have prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

 

What you can expect:

 

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

 

Minimum Requirements to Become Authorized:

  • Have recent experience with the equipment you would like to use (within 2 years)
  • Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
  • Be comfortable working independently.
  • Demonstrate safe and clean printmaking or art-making habits.
  • Demonstrate respect to our staff and our equipment.

 

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons. 

Studio Access Training: Relief, Monoprint, Intaglio

This authorization focuses on press safety.

 

Within relief printmaking, this session will address the basics of block carving with a focus on the tools and resources available at Spudnik Press and how various carving styles or approaches might affect the printing process. While printing with a press will be reviewed in detail, printing by hand will be addressed on request.

Within monoprinting, this session will address using plexiglass as a matrix, working with water- and oil-based pigments, and mark-making and stencil-making tools on site.

Moving to the printing process, this session will address setting pressure, blanket care, registration methods, paper selection, working with wet paper (water baths and damp packs), and drying/flattening prints. Regarding ink, this session with review modifiers, ink care, and cleaning expectations.

 

For intaglio artists,  the training will focus on personal safety, care and maintenance of tools and supplies, and best practices for working with intaglio printing at Spudnik Press.

 

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

July 29 |Texture in Risography (4 Hours)

Printing with a Risograph means embracing materiality. Because the machine pushes translucent ink through a stenciled master sheet onto uncoated paper, every print inherits an organic, screen-like texture. It’s a medium where color doesn’t just sit on the page—it sinks into it, creating a depth that digital mediums simply cannot replicate.

This 4-hour workshop is an immersive dive into the visual language of Riso textures. We will deconstruct how flat graphics transform into tactile art objects through ink density, overlapping tones, and screen choices. Students will learn how to design for the machine’s eccentricities, turning technical constraints—like drying time and unpredictable registration—into deliberate creative choices. We’ll demystify the hardware by learning how to change master rolls and ink tubes, giving you full creative control over the physical process. Walk away with a deeper understanding of print as a sensory experience, and a custom two-layer print of your own

Some experience with riso suggested, but not required. Students will receive risograph authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

August 19 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

August 20 | Screenprinting Refresher & Authorization (4 Hours)

Note: Experience is required to take this refresher class.

This refresher & authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.

The class will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.

During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.

To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.

August 28 | Studio Access Training: Relief, Monoprint, Intaglio (2 Hours)

Studio Authorization is always required prior to attending your first Open Studio or becoming a KeyholderExperience is required for all Studio Access Trainings. Authorizations are free or you can pay what you can as a donation to Spudnik!

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

 

Studio Access Trainings ensure that those with have prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

 

What you can expect:

 

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

 

Minimum Requirements to Become Authorized:

  • Have recent experience with the equipment you would like to use (within 2 years)
  • Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
  • Be comfortable working independently.
  • Demonstrate safe and clean printmaking or art-making habits.
  • Demonstrate respect to our staff and our equipment.

 

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons. 

Studio Access Training: Relief, Monoprint, Intaglio

This authorization focuses on press safety.

 

Within relief printmaking, this session will address the basics of block carving with a focus on the tools and resources available at Spudnik Press and how various carving styles or approaches might affect the printing process. While printing with a press will be reviewed in detail, printing by hand will be addressed on request.

Within monoprinting, this session will address using plexiglass as a matrix, working with water- and oil-based pigments, and mark-making and stencil-making tools on site.

Moving to the printing process, this session will address setting pressure, blanket care, registration methods, paper selection, working with wet paper (water baths and damp packs), and drying/flattening prints. Regarding ink, this session with review modifiers, ink care, and cleaning expectations.

 

For intaglio artists,  the training will focus on personal safety, care and maintenance of tools and supplies, and best practices for working with intaglio printing at Spudnik Press.

 

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.