Posts Categorized: Morning

Printmaking Foundations

For anyone who wants to be creative through printmaking, our Foundations class introduces first time printers to the wide variety of resources and equipment at Spudnik Press Cooperative. Students will experiment with three unique printmaking processes throughout the six weeks. With each printing process inducing its own aesthetic, this class offers abundant opportunities to elevate sketches and designs through print and to understand the basic concepts that bridge the many types of printmaking at our studio.

Screenprinting is a form of stencil making that is used to print fine art as well as posters, cards, t-shirts, and more. Relief prints are created by carving an image into wood or linoleum, adding ink to the surface, and transferring the inked image onto paper. Etching, also known as Intaglio [in-tal-yoh], is a family of printing techniques in which the image is incised into a metal plate. Artist can scratch into plates with needles, or can draw through a ground and etch drawings into a plate.

Together, these processes range from experimental to exacting, bold to subdued, and unpredictable to calculated and can open new possibilities for artists, writers, and folks who want to learn a new way to make art. Printmaking Foundations can act as either a general introduction to everything Spudnik has to offer, or a refresher course for artists who have previous experience.

Screenprinting Explorations

Most people are fans of screenprinting whether they know it or not. Screenprinting is an art form known for its bold graphics and versatility. A close cousin of stenciling, screenprinting is easy to learn, yet hard to master. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric, gradually increasing in complexity and nuance. With the ongoing support of a pro to help trouble-shoot along the way, students will be familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration.

In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print. By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press Cooperative.

Papermaking: Pulp, Sculpt and Print

Papermaking can be used as a catalyst for bookmaking, printmaking and drawing, as well as an art form all in its own. Beginning with the scrap papers that so constantly accumulate in our print studio, student will turn these left overs into precious pulp. In addition to using recycled materials, students will make unique handmade paper sheets using natural fibers like abaca.

After forming basic paper with a mould and deckle, students will explore texture, paper casting, and layering paper to create sculptural pieces or installations.

With the printmaker in mind, the class will also address how to incorporate imagery into and onto handmade paper. “Inclusions” like fragments of prints, organic materials, or thread can be integrated into the paper. Plus, students will learn ways to add photographic imagery to their papers through alcohol transfers and cyanotype processes.

Students will graduate from the class with an understanding of papermaking terminology and history. They will be able to make and dye pulp, create large and small flat sheets, and craft paper-based artwork that incorporates collage, photography, pulp painting, and sculptural elements.

Papermaking at Spudnik Press is a low-tech non-toxic process that requires limited access to special facilities, and can be incorporated into classroom settings. This is a wet process, so dress down for this class.