July 5 | Risography Explorations (4 Weeks)

The Risograph is an automated duplicator that efficiently produces multi-color prints with a distinct look and feel. Combining some of the best elements of photocopiers, screenprinting, and offset, risography can be an exciting medium for comic artists, writers, illustrators, designers, book artists, and more. 

Our Risography Explorations class teaches students to work with our machine. Beginning with a multi-color print, students will be introduced to risography techniques and mechanics. From there, they will create their own zine, mini-comic, or broadside to continue exploring the possibilities of the process. Students will also learn a variety of simple book forms that they can use for their independent project. 

Throughout the four weeks, students will learn best practices for designing and creating risograph prints, taking into consideration ink density, drying time, paper selection, and registration. Risograph machines are known for being rather finicky—students will also practice basic maintenance and troubleshooting, including how to change ink, reset and replace the master roll, and fix paper feed issues.

In addition to gaining authorization to print independently at Spudnik Press, students will have access to Open Studios for the final two weeks of the class to work on their projects.All classes require full payment. Payment in two (2) installments may be requested by sending an email to info@spudnikpress.org. For cancellations made at least one week prior to the first class, we can refund 50% of the full tuition, or give 100% studio credit to be used within the next 6 months. For cancellations made with less than one week’s notice, we can only give studio credit to be used within the next 6 months. No refund is available if students cancel within 48 hours of the class, workshop or lesson.

July 6 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 60 days. The Open Studio coupon is worth 4 hours of studio time (valued at $35) to work independently and continue what you have learned from the class. 

July 6 | Linocut Block Printing (4 Hours)

Relief printmaking dates as far back as the 7th century and is considered the oldest form of printmaking. An image is carved into a block of wood or linoleum, which is then inked and pressed to transfer the image. The tools are simple and approachable, but the possibilities are expansive.

In this 4-hour workshop, students will plan, carve, and print a linoleum block. The class guides students through the process of transferring an image onto their block and techniques for creating line, shape, contrast, and texture. By the end of class, students will print their images by hand, taking home a small edition.

July 8 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 60 days. The Open Studio coupon is worth 4 hours of studio time (valued at $35) to work independently and continue what you have learned from the class. 

July 9 | 4-Week Advanced Block Printing

This advanced course is designed for students with prior experience in linoleum or wood block carving and aims to refine and elevate your technique. Students will explore advanced concepts such as multiple plate registration, color printing, ink modification, and printing on non-traditional surfaces. The course also includes instruction on tool care and the pros/cons of various substrates.

Throughout the 4 evening sessions, participants will receive personalized guidance as you they towards completing their own ambitious relief projects. Additionally, tuition fee for this class includes access to open studio hours, giving students the opportunity to conclude their project independently should they need extra time, even after the course ends.

July 18 | Sewn Book Forms (4 Weeks)

In 4 weekly sessions, students will focus on learning non-adhesive binding structures. Some of these binding styles will include complex sewing structures like coptic stitch, long stitch, and Japanese stab binding.

Students will learn the traditional version of these sewn bindings as well as new variations on the bindings to make more decorative and complicated designs. Participants will work with leather, paper, book cloth, and book board to survey the wide range of techniques in sewn bindings.

At the end of this workshop all students will have the ability to identify and create the most fundamental structures of sewn bindings, recognize the tools, history, and vocabulary around these bindings.

July 20 | Drypoint Printing (4 Hours)

This workshop is great for ambitious beginners curious about intaglio techniques. The drypoint process covers the basic skills needed to become familiar with etching and other intaglio processes, and therefore would set students up for further success with intaglio in the future.

Students will learn drypoint techniques, plate wiping techniques, and gain familiarity with intaglio printing. Students will leave with a finished drypoint plate and print, as the class hours will be devoted to learning technique versus creating a perfected artwork.

July 24 | De-Mystifying Grants, Residencies, Exhibitions (VIRTUAL)

Would you like to build more of your livelihood around your art practice, or get your work out into the world more? Catch all 3 sessions from our Professional Practices for Artists virtual workshop series!

Topic for the July 24 session:

De-Mystifying Grants, Residencies, and Calls for Exhibitions

Professional Practices for Artists is a series of online stand-alone workshops that focus on different professional skills and practices that working artists depend on for entrepreneurship in the real world — helping you make a good start on your goals!

July 26-27 | Weekend Intensive: Collagraph Printing (2 Days)

The first 3 enrollees for this class will receive a gift package courtesy of Speedball Art delivered to their home! Thanks to Speedball Art for their generosity and support for Spudnik Press classes.

Join us for a two-day mixed-media workshop and discover the art of printmaking with a press. Collagraph, derived from the Greek meaning “drawing made with glue,” is a technique that involves creating textured collages to form unique printing matrices.

In this workshop, you’ll experiment with various materials to craft your own textured compositions on day 1, which will then be inked and transformed into prints on day 2. Whether you’re a beginner or an experienced printer, this class offers a fantastic opportunity to explore creative expression while mastering the fundamentals of printmaking.

July 26 | Studio Access Training: Letterpress

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings.

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

Studio Access Trainings ensure that those with have prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

What you can expect:

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

Minimum Requirements to Become Authorized:

• Have recent experience with the equipment you would like to use (within 2 years)
• Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
• Be comfortable working independently.
• Demonstrate safe and clean printmaking or art-making habits.
• Demonstrate respect to our staff and our equipment.

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons.

Studio Access Training: Letterpress

This 2-hour authorization will allow participants to be authorized to print on our platen presses (Pilot and Pearl) and Vandercook Press. Printers may need to book a second on-site session to be authorized for both types of presses.

Every letterpress authorization will ensure that printers are familiar with setting up the press, mixing inks, inking the press, adjusting pressure and registration, printing, and thorough cleaning of the press and all tools. There may not be time to practice printing both a polymer plate and movable type, but both methods can be reviewed as needed.

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

July 30 | Screenprinting Refresher & Authorization (4 Hours)

This refresher & authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.

The class will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.

During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.

To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.

August 3 | Bookbinding 101 (4 Hours)