Posts Categorized: Monoprinting

Monotypes & Collographs

Monotypes and collographs are two forms of printmaking that favor organic, gestural, textural, and ephemeral marks and imagery. They are also incredibly immediate, playful, and multi-faceted type of printmaking, and therefore well suited to first time printmakers and artists who typically work with paint, mixed media, and sculpture.

Monotypes typically begin from a piece of plexiglass as the foundation. Through working additively and reductively with ink, crayons, water or solvents, and stencils, students can capture a huge range of aesthetics from subtle tonality to gritty textures to minimal formal forms. Collographs are similar but incorporate elements of relief by collaging things like fibers, sandpaper, and acrylic mediums directly to the plate. The plate is then inked similarly to either a relief or intaglio print.

If these options are not enough, Teaching Artist, Jessica Christy, will also introduce a method of incorporating photographic imagery using our darkroom to expose plates.

Throughout the class, students will develop new ways to build images while learning about the properties of ink, paper, pressure, and how they interact to create a broad range of aesthetic possibilities. Students will be able to make many prints to learn and test these processes before moving on to a project that combines various methods and showcases her or his own personal style or vision. Students will leave the class comfortable using our etching press and authorization to continue printing at Spudnik after the class.

Polymer & Paper Lithography

Plate lithography is a variation of traditional lithography and relies on the hydrophobic (water-fearing) and hydrophilic (water-loving) properties of a sheet of plastic or paper. Plate lithography offers an immediate and non-toxic printing process that can incorporate photography, digital designs and hand drawn illustrations. This process is low-cost, versatile, and playful process ripe for experimentation.

Plates can be made using an everyday laser printer, then reworked or added to with a variety of tools like ballpoint pens, crayons and markers. The plate is then carefully inks with oil-based ink and ran through a press.

In this workshop, students will learn both monoprinting techniques and how make an edition with polyester plates. Digital file preparation will be taught as it is necessary for working with photos. However these processes also lend themselves to hand drawn imagery, and the computer can be bypassed completely with the use of a photocopier.

By the end of the workshop, students will produce two images using a mix of techniques on 11” x 15” paper. First time printers as well as artists with photography and drawing experience are both well-suited for this workshop.