June 4 | Relief Animation (3 Weeks)

This course is an exploration of the synthesis between animation and relief printmaking. Rather than editioning, students will produce a sequence of unique prints that will function as individual frames within a larger animation. Participants will then use Photoshop to transform their printed sequences into looping gifs. Throughout the course, students will mine the reductive and additive processes inherent to relief printmaking for their cinematic potential. Students will also gain experience with various elements of the traditional animation process, such as storyboarding and animatics. 

Over the span of 3 sessions, participants will receive personalized guidance towards completing their own ambitious, animated relief projects. This class also includes a voucher for free access to open studio hours, giving students the opportunity to conclude their project independently should they need extra time, even after the course’s completion. 

No experience in either medium is required to enroll.

In addition to gaining authorization to print independently at Spudnik Press, students will have access to Open Studios to work on their projects.

June 7 | Scratch & Press: A Three-Part Youth Printmaking Series

For ages 11–14 · 3 sessions · All skill levels welcome
Sundays 9am-12pm (June 7, 14, and 21)

Get your hands inky and your prints analog. Over three sessions, you’ll explore three completely different printmaking traditions — each with its own tools, materials, and magic. From screen printing your own wearables on day one, to scratching metal plates and pulling intaglio prints, to running paper through a letterpress — this series is designed for curious, bold makers who want to learn how images are made.

Session 1
June 7 9am-12pm
Screen printing — wear your work
Start by screen printing an apron you’ll use for the rest of the series — then keep the press warm with t-shirts, tote bags, and whatever else you bring to print on. You’ll learn to expose a photographic screen, mix custom ink colors, and pull clean prints through the mesh. Walk away with wearable art.

Session 2
June 14 9am-12pm
Drypoint etching — scratch, score, and print

Learn the fundamentals of intaglio printmaking by drawing directly onto a metal plate with a steel needle. Drypoint is immediate and expressive — the burr your tool raises holds ink in ways that produce rich, velvety lines unlike anything you can get from a brush or pen. You’ll learn plate wiping and printing technique, and leave with a finished plate and a set of prints.

Session 3
June 21 9am-12pm
Letterpress — texture, pressure, and the printed page

Finish the series on a machine that shaped the modern world. Using stencils and low-relief collages — cut paper, string, netting, plant material — you’ll create richly textured prints by running them through a letterpress cylinder. The varying thickness of your materials determines how much ink transfers to the page, producing nuanced, one-of-a-kind impressions up to 19″ × 25″. Experiment with hand inking and multi-layer compositions to tell a story, build an illustration, or just see what the press can do.