Posts Categorized: Evening

Hand Lettering

Focusing on the illustrative quality of written words, this introduction to hand lettering will encourage students to amplify their natural drawing or handwriting style by experimenting with mark making materials and the elements of art and design.

The spacing, slope, texture, sharpness, roundness, rhythm, irregularity and repetition within a word or phrase alter its impression. Students will explore various styles of hand lettering and how letterforms can mirror, expand or alter the meaning of text. Projects will incorporate the use of lettering markers, pens, brushes, ink and other common art supplies.

Once tools have been tested, and personal styles are explored, the class will look to layout and composition to combine text with image. Current and aspiring screen printers, calligraphers, illustrators and designers of posters, apparel, greet cards, and various printed ephemera will all be able to apply new skills to their craft.

The class culminates in students producing a final artwork ready to be hand printed, framed, or digitized.

Screenprinting Explorations

Most people are fans of screenprinting whether they know it or not. Screenprinting is an art form known for its bold graphics and versatility. A close cousin of stenciling, screenprinting is easy to learn, yet hard to master. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric, gradually increasing in complexity and nuance. With the ongoing support of a pro to help trouble-shoot along the way, students will be familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration.

In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print. By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press Cooperative.

Letterpress I: Wood & Metal Type

Letterpress printing has been making quite an impression since about 1440 when Gutenberg invented movable type. A mechanical press prints from metal or wood type to crisply transfer ink to paper. Letterpress printing creates a tactile and inviting debossment in the paper. This “punch” makes this art form a popular choice for greeting cards, business cards, invitations, broadsides, and a wide range of printed ephemera.

While letterpress printing began as a commercial process, today artists, designers, typographers and illustrators are continually finding new ways to approach the art form. Letterpress I: Wood & Metal Type uses a range of projects to familiarize students with letterpress printing, typography and the history of the art form. Spudnik Press Cooperative houses over 120 drawers of type, two Vandercook presses, a Line-o-scribe proofing press, and three platen presses, all of which are available for students to use.

Students will jump in browsing Spudnik’s unique collection of type and using a composing stick to hand set lines of type. From there, projects will increase in scope to introduce more advanced planning, technical considerations and creative approaches to printing. Students will learn new fun vocabulary words like reglets, quoins, chases, and leading. In addition to setting type, students will learn the mechanics of our presses and learn to lock-up type, set pressure, mix and modify ink and safely operate the machines.

Throughout the class students will acquire the technical skills to be authorized to print independently at Spudnik Press and the creative skills to produce inventive and alluring prints for years to come.

Risography 101

A Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has recently gained traction (and notoriety) in small-press culture for its distinct footprint and efficiently as well as being rather finicky.

This workshop will walk students through the fundamentals of Risograph printing for making books and fine art prints, and familiarize students with techniques to best reproduce their imagery. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Lastly, students will learn how to best design for the Risograph, taking into consideration ink drying time, ink density, paper options, registration, and patience. Everyone will leave with a three-color collaborative print produced throughout the workshop and authorization to continue making Risograph prints at Spudnik Press Cooperative.

DIY Valentines: Screenprint Your Own Cards

A handmade valentine is always a thrill to receive, regardless of how romantic one feels about the holiday. This Valentine’s Day, impress friends, family, and coworkers with a clever or charming hand-printed valentines featuring your own design.

Students will each bring a one-color design that they would like to transform into a stack of greeting cards. Designs can be a black and white drawing, text-based, a Photoshop or Illustrator file, or found imagery.

Students will learn how to make their image “print ready” and will expose their image onto a screen using photographic emulsion in our darkroom. Everyone will mix their own custom ink color, register their image onto cards, and then print, print, print! Students will be able to make 20 valentines and are encouraged to swap cards with their classmates to bring home a DIY variety pack of cards.

Risography 101

A Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has recently gained traction (and notoriety) in small-press culture for its distinct footprint and efficiently as well as being rather finicky.

This workshop will walk students through the fundamentals of Risograph printing for making books and fine art prints, and familiarize students with techniques to best reproduce their imagery. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Lastly, students will learn how to best design for the Risograph, taking into consideration ink drying time, ink density, paper options, registration, and patience. Everyone will leave with a three-color collaborative print produced throughout the workshop and authorization to continue making Risograph prints at Spudnik Press Cooperative.

Screenprinting on Textiles

Knowing how to print on fabric opens up a slew of opportunities. Designing custom apparel, making gifts, stocking an Etsy store, making unique yardage for sewing projects, and manufacturing your own kickstarter rewards are just the tip of the iceberg when it comes to potential fabric printing projects!

Screenprinting uses a stencil to transfer ink onto a flat surface. The process is approachable and fun to learn. Students will create prints from both hand drawn and digital images. Through weekly demonstrations, students will be learn about ink mixing, color and pattern relationships, repeat patterns and printing with multiple colors. This class is well suited for first-time screenprinters as well as printers who have only printed on paper. Student will some experience will add to their repertoire a better understanding of how different fibers and weaves affect printing, and how screen coating, exposure and wash out, printing, and ink mixing is adapted with textile printing.

Because we know each student brings unique ambitions, the syllabus has the option to incorporate additional discharge printing, basic fabric dying, or hand sewing demos. Graduates of Screenprinting on Textiles are encouraged to continue printing at Spudnik Press through our Open Studio or Keyholder Program.

Pre-Press Workshop: File Prep for Stress Free Printing

Not everyone needs to be a digital expert. With that said, there are many benefits of understanding how Adobe creative suite can be used to ensure successful printing. Our one-day workshop will arm even the most “non­techy” person with digital arsenal of skills needed to prepare their drawings, photographs, and designs into a press-ready file for screenprinting, letterpress printing or risography.

For example, students will better understand color modes and when to use each of them (CMYK, Greyscale, Bitmap and Duotone). Students will learn tricks for separating an image into multiple layers and adjusting contrast, levels and curves to create high-contrast black and white images from scanned drawings. Students will learn how to add trapping to their artwork and how to create an on-screen approximation of what their artwork might look like as ink on paper.

Through hands-on file editing, students will practice using a variety of tools to help plan and visualize multilayer prints and create crisp darkroom-ready stencils. The class will focus on Photoshop, but address when and how to use Illustrator and InDesign.

Students will use their own computers with Adobe Creative Suite*. This workshop focuses on digital pre-press file editing. Students will not be creating prints during the workshop.

*Please email staff prior to registering if you do not have a laptop with creative suite. A limited number of students may be able to use onsite computers.

DIY Screenprinted Tea Towels

This is a fun opportunity to make a snazzy set of tea towels featuring any image you choose! Bring your own design, hand lettering or illustration and we’ll provide the ink, screens, and tea towels. You’ll spend an afternoon learning the basics of screenprinting on fabric and leave with a set of kitchen towels to gift or keep for yourself!

This hands-on workshop encourages each student to customize their project by choosing the size, placement, and color for their image. The best part of printmaking is making multiples, so each student gets five all natural tea towels to experiment with. We welcome brand new printmakers as well as those who have some experience and would like to learn to print on different materials.

Bold line drawings, silhouettes, geometric shapes, monograms or hand lettering all are great starting points for designs. Whether you are gifting this package to a culinary friend, family members or yourself, these handmade items will be sure to bring joy to their recipients!

Risography 101

A Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has recently gained traction (and notoriety) in small-press culture for its distinct footprint and efficiently as well as being rather finicky.

This workshop will walk students through the fundamentals of Risograph printing for making books and fine art prints, and familiarize students with techniques to best reproduce their imagery. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Lastly, students will learn how to best design for the Risograph, taking into consideration ink drying time, ink density, paper options, registration, and patience. Everyone will leave with a three-color collaborative print produced throughout the workshop and authorization to continue making Risograph prints at Spudnik Press Cooperative.

Risography 101

A Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has recently gained traction (and notoriety) in small-press culture for its distinct footprint and efficiently as well as being rather finicky.

This workshop will walk students through the fundamentals of Risograph printing for making books and fine art prints, and familiarize students with techniques to best reproduce their imagery. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Lastly, students will learn how to best design for the Risograph, taking into consideration ink drying time, ink density, paper options, registration, and patience. Everyone will leave with a three-color collaborative print produced throughout the workshop and authorization to continue making Risograph prints at Spudnik Press Cooperative.