Posts Categorized: Evening

Risography 102: Bring Your Own Files (December)

Risography 102 reinforces the skills introduced in Riso 101. Each student will bring their own project to set-up and print during the workshop.

To ensure smooth and efficient printing, best practices for imposition or layout for zines and books will be reviewed as well as tips for color separation and digital file set-up.

Through creating a small run of prints during the workshop, students will get a refresher on how to make masters from digital files, how to troubleshoot paper jams and other typical print errors, and how to replenish ink and masters. Lastly, students will have the opportunity to use our guillotines to trim their prints.

This workshop is limited to just four students to ensure that everyone can print their own imagery and log time operating the machine independently. Students who take this workshop will be well suited to print and use guillotines unsupervised during Open Studio.

Screenprinting Explorations (January)

Most people are fans of screenprinting whether they know it or not. Screenprinting is an art form known for its bold graphics and versatility. A close cousin of stenciling, screenprinting is relatively easy to learn, yet has many facets to explore and master. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric, gradually increasing in complexity and nuance. With the ongoing support of a pro to help trouble-shoot along the way, students will be familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration.

In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print. By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press Cooperative.

Risography 102: Bring Your Own Files (January)

Risography 102 reinforces the skills introduced in Riso 101. Each student will bring their own project to set-up and print during the workshop.

Best practices for imposition or layout for zines and publications will be reviewed as well as tips for color separation and digital file set-up. Smart file set up is step #1 to ensure smooth and efficient printing!

Then, through creating a small run of prints during the workshop, students will get a refresher on how to make masters from digital files, how to troubleshoot paper jams and other typical print errors, and how to replenish ink and masters. Lastly, students will have the opportunity to use our guillotines to trim their prints.

This workshop is limited to just four students to ensure that everyone can print their own imagery and log time operating the machine independently. Students who take this workshop will be well suited to print and use guillotines unsupervised during Open Studio.

Students should come ready with a 2-3 color project–either a single-sided print to be completed in the workshop or a longer project to be finished during open studio. While PDF files are great, students are welcome to bring anything from text typed in Microsoft Word to photocopies.

Relief Printmaking (January)

Relief printmaking is a graphic and versatile type of printmaking that dates as far back as 500 BC. An image is carved in reverse onto a block, which is then inked and sent through a press. The tools are basic but the possibilities are expansive.

Relief Printmaking empowers students (both first-time printmakers and experienced printmakers) to plan, carve, and print relief blocks. After looking at lots of examples, both historical and contemporary, students will begin their relief printing adventure with a playful low-pressure “Speedy-Cut” block. Throughout the class, students will move on to carving both linoleum and wood with a variety of carving techniques that exploit line, shape, contrast, and texture.

On the press, students will learn how to mix ink, handle paper, register multiple colors, and finesse pressure to produce a set of prints that utilizes the skills built throughout the class. Graduates are welcome to continue printings independently at Spudnik Press through our Open Studio program.

Basic carving tools are available to use during class, but we strongly encourage students to acquire their own set to use outside of class. Nicolette recommends Blick’s Student Wood Chisel Set as well as Flexcut SlipStrop to keep them sharp.

Pre-Press Workshop: File Prep for Stress Free Printing (January)

Not everyone needs to be a digital expert. With that said, there are many benefits of understanding how Adobe creative suite can be used to ensure successful printing.

Our one-day workshop will arm even “non­techy” people with digital arsenal of skills needed to prepare their drawings, photographs, and designs into a press-ready file for screenprinting, letterpress printing or risography.

For example, students will better understand color modes and when to use each of them (CMYK, Greyscale, and Bitmap). Students will learn tricks for separating an image into multiple layers and adjusting contrast, levels and curves to create high-contrast black and white images from scanned drawings. Students will learn how to add trapping to their artwork and how to create an on-screen approximation of what their artwork might look like as ink on paper.

Through hands-on file editing, students will practice using a variety of tools to help plan and visualize multilayer prints and create crisp darkroom-ready stencils.

The class will focus on Photoshop, but also address when and how to use Illustrator. Students should come with basic understanding of Photoshop as the class if focused on tools for printmakers, not teaching the program from the ground up.

Students will use their own computers with Adobe Creative Suite*. This workshop focuses on digital pre-press file editing. Students will not be creating prints during the workshop.

*Please email staff prior to registering if you do not have a laptop with creative suite. A limited number of students may be able to use onsite computers.

DIY Valentines: Screenprinting (January)

A handmade valentine is always a thrill to receive, regardless of how romantic one feels about the holiday. This Valentine’s Day, impress friends, family, and coworkers with a clever or charming hand-printed valentines featuring your own design.

Students will each bring a one-color design that they would like to transform into a stack of greeting cards. Designs can be a black and white drawing, text-based, a Photoshop or Illustrator file, or found imagery.

Students will learn how to make their image “print ready” and will expose their image onto a screen using photographic emulsion in our darkroom. Everyone will mix their own custom ink color, register their image onto cards, and then print, print, print! Our studio will provide 20 A6 Eco White fold over cards, but students can bring blank note cards if they prefer a different size or color. Students are encouraged to swap cards with their classmates to bring home a DIY variety pack of cards.

Risography 101 (February 5)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has recently gained traction (and notoriety) in small-press culture for its distinct footprint and efficiently as well as being rather finicky.

This workshop will walk students through the fundamentals of risograph printing for making books and fine art prints, and familiarize students with techniques to best reproduce their imagery. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Lastly, students will learn how to best design for the risograph, taking into consideration ink drying time, ink density, paper options, registration, and patience. Everyone will leave with a three-color collaborative print produced throughout the workshop.

While students gain authorization to continue making risograph prints at Spudnik Press Cooperative, attendees are encouraged to round out their riso know-how by taking a Risography 102 workshop and/or returning to use Open Studio shortly after taking the workshop.

Risography 102: Bring Your Own Files (February)

Risography 102 reinforces the skills introduced in Riso 101. Each student will bring their own project to set-up and print during the workshop.

Best practices for imposition or layout for zines and publications will be reviewed as well as tips for color separation and digital file set-up. Smart file set up is step #1 to ensure smooth and efficient printing!

Then, through creating a small run of prints during the workshop, students will get a refresher on how to make masters from digital files, how to troubleshoot paper jams and other typical print errors, and how to replenish ink and masters. Lastly, students will have the opportunity to use our guillotines to trim their prints.

This workshop is limited to just four students to ensure that everyone can print their own imagery and log time operating the machine independently. Students who take this workshop will be well suited to print and use guillotines unsupervised during Open Studio.

Students should come ready with a 2-3 color project–either a single-sided print to be completed in the workshop or a longer project to be finished during open studio. While PDF files are great, students are welcome to bring anything from text typed in Microsoft Word to photocopies.

Illustrative Lettering (February)

The unification of written language and visual language can create powerful communication. When done well, illustrative lettering leads to impactful poster design, cards and invitations, advertisements and artwork. Building from one’s natural drawing style, this workshop will amplify hand-lettering skills and focus on techniques to combine text with illustration.

Students will gain inspiration and ideas from looking at several illustrations by a wide range of artists. Using various prompts, students will practice transforming letterforms into image and experiment with readability, layout, shape, and style. After developing sketches using a wide range of techniques and tools, everyone will have the opportunity to focus on a final illustration that incorporates skills learned throughout the session.

DIY Screenprinted Tea Towels (February)

This is a fun opportunity to make a snazzy set of tea towels featuring any image you choose! Bring your own design, hand lettering or illustration and we’ll provide the ink, screens, and tea towels. You’ll spend an afternoon learning the basics of screenprinting on fabric and leave with a set of four kitchen towels to gift or keep for yourself!

This hands-on workshop encourages each student to customize their project by choosing the size, placement, and color for their image. The best part of printmaking is making multiples, so each student gets five all natural tea towels to experiment with. We welcome brand new printmakers as well as those who have some experience and would like to learn to print on different materials.

Bold line drawings, silhouettes, geometric shapes, monograms or hand lettering all are great starting points for designs. Whether you are gifting this package to a culinary friend, family members or yourself, these handmade items will be sure to bring joy to their recipients!

Screenprinting on Textiles (March)

Knowing how to print on fabric opens up a slew of opportunities. Designing custom apparel, making gifts, stocking an Etsy store, making unique yardage for sewing projects, and manufacturing your own kickstarter rewards are just the tip of the iceberg when it comes to potential fabric printing projects!

Screenprinting uses a stencil to transfer ink onto a flat surface. The process is approachable and fun to learn. Students will create prints from both hand drawn and digital images. Through weekly demonstrations, students will learn about ink mixing, color and pattern relationships, repeat patterns and printing with multiple colors. This class is well suited for first-time screenprinters as well as printers who have only printed on paper. Student will some experience will add to their repertoire a better understanding of how different fibers and weaves affect printing, and how screen coating, exposure and wash out, printing, and ink mixing is adapted with textile printing.

Graduates of Screenprinting on Textiles are encouraged to continue printing at Spudnik Press through our Open Studio or Keyholder Program.

Risography 102: Bring Your Own Files (March)

Risography 102 reinforces the skills introduced in Riso 101. Each student will bring their own project to set-up and print during the workshop.

Best practices for imposition or layout for zines and publications will be reviewed as well as tips for color separation and digital file set-up. Smart file set up is step #1 to ensure smooth and efficient printing!

Then, through creating a small run of prints during the workshop, students will get a refresher on how to make masters from digital files, how to troubleshoot paper jams and other typical print errors, and how to replenish ink and masters. Lastly, students will have the opportunity to use our guillotines to trim their prints.

This workshop is limited to just four students to ensure that everyone can print their own imagery and log time operating the machine independently. Students who take this workshop will be well suited to print and use guillotines unsupervised during Open Studio.

Students should come ready with a 2-3 color project–either a single-sided print to be completed in the workshop or a longer project to be finished during open studio. While PDF files are great, students are welcome to bring anything from text typed in Microsoft Word to photocopies.