Posts Categorized: 1 Day

Studio Access Training: Relief, Monoprint, Intaglio

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings. Authorizations are free or you can pay what you can as a donation to Spudnik!

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

Studio Access Trainings ensure that those with have prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

What you can expect:

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

Minimum Requirements to Become Authorized:

  • Have recent experience with the equipment you would like to use (within 2 years)
  • Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
  • Be comfortable working independently.
  • Demonstrate safe and clean printmaking or art-making habits.
  • Demonstrate respect to our staff and our equipment.

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons. 

Studio Access Training: Relief, Monoprint, Intaglio

This authorization focus on press safety.

Within relief printmaking, this session will address the basics of block carving with a focus on the tools and resources available at Spudnik Press and how various carving styles or approaches might affect the printing process. While printing with a press will be reviewed in detail, printing by hand will be addressed on request.

Within monoprinting, this session will address using plexiglass as a matrix, working with water- and oil-based pigments, and mark-making and stencil-making tools on site.

Moving to the printing process, this session will address setting pressure, blanket care, registration methods, paper selection, working with wet paper (water baths and damp packs), and drying/flattening prints. Regarding ink, this session with review modifiers, ink care, and cleaning expectations.

For intaglio artists,  the training will focus on personal safety, care and maintenance of tools and supplies, and best practices for working with intaglio printing at Spudnik Press.

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

FREE: October 20 | Drypoint Printing (1 Day)

This class is free or you can pay what you can as a donation to Spudnik!

This workshop is great for ambitious beginners curious about intaglio techniques. The drypoint process covers the basic skills needed to become familiar with etching and other intaglio processes, and therefore would set students up for further success with intaglio in the future.

Students will learn drypoint techniques, plate wiping techniques, and gain familiarity with intaglio printing. Students will leave with a finished drypoint plate and print, as the class hours will be devoted to learning technique versus creating a perfected artwork.

This class is FREE and open to the public. Registration is required to manage the number of participants and prepare the materials needed for the workshop. Donations are welcome and absolutely optional, and will help Spudnik Press with its operational expenses.

About the Campaign:

Make At Spudnik is a series of 1-day workshops that is free and open to the public, as an effort to reach more print-curious audiences and provide an opportunity for interested participants to experience printmaking basics without the financial barrier to learning. This month, we are inviting you to join us for a 1-Day Drypoint Printing class led by Teaching Artist Anna Wagner.

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Educational programs at Spudnik Press are partially supported by a grant from the Illinois Arts Council Agency and Builder’s Initiative.

This project is partially supported by a Chicago Arts Recovery Program grant from the City of Chicago Department of Cultural Affairs & Special Events.

Studio Access Training: Letterpress (Platen Press)

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings. Authorizations are free or you can pay what you can as a donation to Spudnik!

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

Studio Access Trainings ensure that those with have prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

What you can expect:

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

Minimum Requirements to Become Authorized:

  • Have recent experience with the equipment you would like to use (within 2 years)
  • Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
  • Be comfortable working independently.
  • Demonstrate safe and clean printmaking or art-making habits.
  • Demonstrate respect to our staff and our equipment.

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons.

Studio Access Training: Letterpress

This 2-hour authorization will allow participants to be authorized to print on our platen presses (Pilot and Pearl). Printers may need to book a second on-site session to be authorized for both types of presses.

Every letterpress authorization will ensure that printers are familiar with setting up the press, mixing inks, inking the press, adjusting pressure and registration, printing, and thorough cleaning of the press and all tools. There may not be time to practice printing both a polymer plate and movable type, but both methods can be reviewed as needed.

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

October 23 | Risography 101 (1 Day)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable for one complimentary Open Studio session within the following 60 days. 

October 23 | Administrative Essentials for Artists (VIRTUAL)

Would you like to build more of your livelihood around your art practice, or get your work out into the world more? Catch all 4 sessions from our Professional Practices for Artists virtual workshop series!

Topic for the October 23 session:

Administrative Essentials:

Be Your Own Secretary AKA How I Learned to Stop Worrying and Love a Spreadsheet

Professional Practices for Artists is a series of online stand-alone workshops that focus on different professional skills and practices that working artists depend on for entrepreneurship in the real world — helping you make a good start on your goals!

This class costs $20 for non-members and is free for members! Not a member yet? You can sign up as a Spudnik Member here.

October 25 | Bookbinding 101: Simple Self-Publishing (1-Day)

This workshop focuses on styles of bookbinding that are low-cost yet dynamic, and well suited for poetry chapbooks and portfolio books. Students will earn how to choose materials and create simple book structures that best highlight the content within their book.

The workshop will address the logistics of organizing poetry or artwork into a book form, explore the book as a vessel for information, and how material choices can inform how the book is read. While the workshop will create blank books, each style of binding will begin with standard 8.5” x 11” paper to allow your poetry or artistic content to be easily printed from a common inkjet or laser printer. 

Students will complete four sample books: Two pamphlet stitch varieties, a perfect bound book, and a more elaborate Japanese stab binding.

In addition to learning hand skills, the class will discuss the history of chapbooks, their role in publishing over time, and ways to share and sell chapbooks. If you have writing or images you would like to promote, this is a great workshop to jump start your self-publishing!

October 27 | Screenprinting on Paper (1 Day)

Screenprinting is an art form known for its bold graphics and versatility. It is an approachable process, yet has many facets to explore and master. This one-day workshop is a great introduction for beginners who do not have experience with screenprinting.

Students will learn the basic skills to get familiar with the screenprinting process, and will be introduced to a variety of possible applications or projects that will offer an exploration of ways to create screenprints from drawings, digital designs, and found or photographic imagery.

To further develop their skills, students may continue their screenprinting journey at Spudnik Press by booking Private Lessons or enrolling in our multi-week screenprinting classes.

November 9 | Screenprinting Refresher/Authorization (1 Day)

This class is free or you can pay what you can as a donation to Spudnik!

This refresher/authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.

Teaching Artist Rob Kelsey will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.

During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.

To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.