Posts Categorized: Other

May 31 | Design for Print: Designing for the Printed Book

Designing a book digitally can feel linear, spreads seamlessly connect and sequencing is quick and direct. But, a physical book is an object with its own logic. Books make demands that a computer screen never does — it has a spine, a sequence, a physical weight, and a relationship between recto and verso that no amount of scrolling can replicate. For designers, working in the book format means grappling with a set of structural and spatial considerations that are distinct from any other medium: how content is organized across a signature, how imposition shapes what is possible on press, how the rhythm of a layout accumulates across pages rather than resolving on one. 

This workshop, led by Amira Hegazy, approaches the book as a design problem in the fullest sense — one where form and content are inseparable, and where every decision, from margins to binding method, is also an editorial one. This workshop briefly explores the historical development of book form and how physical possibilities of the book have developed with the needs of production and readers.  Whether you are working on a zine, a monograph, an artist book, or a longer publication, the workshop offers both practical grounding and a more expansive framework for thinking about what a book can do.

This is the third workshop in the Design for Print sessions with Amira Hegazy

This workshop series is built for designers and other digital image makers to translate their digital skills to physical making. We will take specific elements of the design process and decode them to print processes. We will highlight historical and theoretical elements that have woven through design practice from days of physical production to our digital workspaces. Expect to leave each workshop feeling more knowledgeable about your day-to-day design workflows and how to realize your designs through hands-on print practices at Spudnik Press. 

Amira Hegazy is a Chicago-based designer, printer, bookmaker and educator whose work lives at the intersection of print, publication, and community. This four-part workshop series is designed specifically for graphic designers looking to deepen their print knowledge — from file setup to finished object.

June 3 | Two Color Tees (2 Weeks)

In this two-week course, students learn the ins and outs of the t-shirt press — how to set it up, load and secure a garment, mix and set ink, and register two colors for a clean, layered print. Getting layers to line up correctly is one of those skills that makes a huge difference in the finished product, and this course breaks it down so the whole process feels approachable and repeatable.

Working directly on t-shirts, you’ll spend real time at the press getting comfortable with the equipment and the workflow. You’ll learn how ink behaves on fabric, how to mix a custom color, and how to get consistent results across multiple prints. Registration — the process of aligning your second color precisely to your first — gets dedicated attention so you leave with a clear understanding of how to nail it every time.

Students will leave with finished printed tees and full authorization to use the screenprinting studio independently, so you can keep coming back and making.

June 7 | Design for Print: Containers — Presenting Your Work Through Box Building

Presentation is not packaging — it’s a critical design decision, the one that determines how a body of work is first encountered and held. For printed matter especially, the container is an extension of the object itself: it sets expectation, establishes care, and frames everything inside it. 

This workshop, led by Amira Hegazy, focuses on the design and construction of custom enclosures to explore how structure, material, and proportion work together to create objects worthy of what it holds. Participants will build their own boxes by hand, developing both the technical vocabulary and the design sensibility to think about containment as an intentional act. We will discuss how engineering containers go hand in hand with print design preparation and consider how the design and fabrication process are inseparable. Essential for designers working with product development, book editions, print portfolios, or any work where the experience of receiving matters as much as the work itself.

This is the fourth workshop in the Design for Print sessions with Amira Hegazy

This workshop series is built for designers and other digital image makers to translate their digital skills to physical making. We will take specific elements of the design process and decode them to print processes. We will highlight historical and theoretical elements that have woven through design practice from days of physical production to our digital workspaces. Expect to leave each workshop feeling more knowledgeable about your day-to-day design workflows and how to realize your designs through hands-on print practices at Spudnik Press. 

 

 

Note: Each workshop in this series is enrolled individually. You can register for a single workshop or sign up for the full series.

Amira Hegazy is a Chicago-based designer, printer, bookmaker and educator whose work lives at the intersection of print, publication, and community. This four-part workshop series is designed specifically for graphic designers looking to deepen their print knowledge — from file setup to finished object.

June 8 | Intro to Screenprinting (4 Weeks)

Screenprinting is an art form known for its bold graphics and versatility. It is approachable, yet has many facets to explore and master. This foundational class introduces all the basic skills to get someone new to the process up and running, creating art on both paper and fabric.

A selection of projects will give students the opportunity to produce prints from hand drawings, digital designs, and photographic or found imagery. Students will become familiar with the full process — from selecting the right screen, to darkroom exposure, ink mixing, printing, and reclaiming screens. With support from an experienced printer, students will practice printing and, equally important, troubleshooting.

By the end of this class, students will know their way around the print shop and be authorized to print independently through Spudnik Press’s Open Studio program.