Posts Categorized: Multi-Week Class

Printmaking Foundations (September 2019)

For anyone who wants to be creative through printmaking, our foundations class introduces first time printers to the wide variety of printmaking processes, equipment, and resources at Spudnik Press Cooperative. Students will experiment with three unique types of printmaking throughout the six weeks. With each printing process inducing its own aesthetic, this class offers abundant opportunities to elevate sketches and designs through print and to understand the basic concepts that bridge the many types of printmaking at our studio.

Screenprinting is a form of stencil making that is used to print fine art as well as posters, cards, t-shirts, and more. A relief print is made by carving an image into wood or linoleum with gauges, inking the surface, and transferring the image onto paper. Etching, also known as Intaglio [in-tal-yoh], is a family of printing techniques in which an image is incised into a metal plate. Artist can directly scratch into plates with needles, or they can draw through a ground and etch the image into a plate using a chemical. Two weeks are devoted to each process, with a final session for wrapping up projects and planning next steps.

Together, these processes range from experimental to exacting, bold to subdued, and unpredictable to calculated and can open new possibilities for artists, writers, and anyone who wants to learn a new way to make art. Printmaking Foundations can act as either a general introduction to everything Spudnik has to offer, or a refresher course for artists who have previous experience.

Screenprinting Explorations (Early September)

Most people are fans of screenprinting whether they know it or not. Screenprinting is an art form known for its bold graphics and versatility. A close cousin of stenciling, screenprinting is relatively easy to learn, yet has many facets to explore and master. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric, gradually increasing in complexity and nuance. With the ongoing support of a pro to help trouble-shoot along the way, students will be familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration.

In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print. By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press Cooperative.

This class typically fills 2+ weeks in advance. Early registration is suggested.

Monotypes & Collographs

Monotypes and collographs are two forms of printmaking that favor organic, gestural, textural, and ephemeral marks and imagery. They are also incredibly immediate, playful, and multi-faceted types of printmaking, and therefore well suited to first time printmakers and artists who typically work with paint, mixed media, and sculpture.

Monotypes usually begin from a sheet of plexiglass as the foundation. Through working additively and reductively with ink, crayons, water or solvents, and stencils, students can capture a large range of aesthetics from subtle tonality to gritty textures to minimal formal forms. Collographs are similar, but incorporate elements of relief by collaging things like fibers, sandpaper, and acrylic mediums directly to the plate. The plate is then inked similarly to either a relief or intaglio print.

Throughout the class, students will develop new ways to build images while learning about the properties of ink, paper, pressure, and how they interact to create a broad range of aesthetic possibilities. Printing techniques will include collage, collographs, multiple plate printing, trace, stencil, ghost, additive, and reductive. Students will make many prints to learn and test these processes before moving on to a project that combines various methods and showcases a personal style or vision. Students will need to supply the paper for independent projects. All participants will leave the class comfortable using our etching press, and authorization to continue printing at Spudnik after the class.

Etching & Intaglio Printmaking

Intaglio Printmaking is a family of printing techniques in which marks are incised into a metal plate. Using a fine point needle and various other tools, drawings and images are transferred through a thin protective ground to expose copper. With the help of a chemical bath, marks and images are etched into the metal with a remarkable amount of detail.

Artists can also work more spontaneously by scratching gestures and images directly onto plates, transferring textures, or painting directly onto plates with resists and mordents.

Beginning with basic line etching, students will learn and practice traditional plate making and printing processes. Through chine collé, aquatint, dry point, soft ground, and experimentation, student will add tonality, color, and varied marks to their images. No prior printing experience is needed, and students who do have intaglio experience can revisit the foundational skills with a more nuanced understanding of the process, and move on to independent projects.

The basic tools (etching needle, scraper and burnisher) are available to use during class, but students may wish to acquire their own so that they can work outside of class. Three copper plates ($26 value) are included in tuition.

Screenprinting Explorations (Mid-September 2019)

Most people are fans of screenprinting whether they know it or not. Screenprinting is an art form known for its bold graphics and versatility. A close cousin of stenciling, screenprinting is relatively easy to learn, yet has many facets to explore and master. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric, gradually increasing in complexity and nuance. With the ongoing support of a pro to help trouble-shoot along the way, students will be familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration.

In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print. By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press Cooperative.

This class typically fills 2+ weeks in advance. Early registration is suggested.

Bookbinding Explorations

In this six-week class, students will focus on learning non-adhesive binding structures. Some of these binding styles will include complex sewing structures like coptic stitch, long stitch, and Japanese stab binding. Students will learn the traditional version of these sewn bindings as well as new variations on the bindings to make more decorative and complicated designs. Participants will work with leather, paper, book cloth, and book board to survey the wide range of techniques in sewn bindings.

At the end of this workshop all students will have the ability to identify and create the most fundamental structures of sewn bindings, recognize the tools, history, and vocabulary around these bindings.

Classes typically fill 2+ weeks in advance, please register early!

Screenprinting Explorations (October 2019)

Most people are fans of screenprinting whether they know it or not. Screenprinting is an art form known for its bold graphics and versatility. A close cousin of stenciling, screenprinting is relatively easy to learn, yet has many facets to explore and master. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric, gradually increasing in complexity and nuance. With the ongoing support of a pro to help trouble-shoot along the way, students will be familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration.

In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print. By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press Cooperative.

This class typically fills 2+ weeks in advance. Early registration is suggested.

From Plant to Paper: Making Paper with Milkweed

In this class, students experience the entire process of paper making beginning at the
source: the raw plant material. Focusing on Milkweed, an abundant native plant, we will learn how to responsibly harvest, extract fiber from the plant, and process it into pulp. Once processed, we will then learn how pull sheets using the Western method of sheet formation.

Similar to Kozo and other bast fibers commonly used in eastern papers, Milkweed has long fibers. When beaten by hand, this long fiber creates strong paper with a cloth-like surface.

Students will leave this class with an understanding of how plants are processed into paper, as well as skills pulling, pressing, and drying handmade sheets.

This class will meet for SIX Saturday sessions starting on November 2nd until December 14th, omitting November 30th for Thanksgiving weekend. 

Printmaking Foundations (November)

For anyone who wants to be creative through printmaking, our foundations class introduces first time printers to the wide variety of printmaking processes, equipment, and resources at Spudnik Press Cooperative. Students will experiment with three unique types of printmaking throughout the six weeks. With each printing process inducing its own aesthetic, this class offers abundant opportunities to elevate sketches and designs through print and to understand the basic concepts that bridge the many types of printmaking at our studio.

Screenprinting is a form of stencil making that is used to print fine art as well as posters, cards, t-shirts, and more. A relief print is made by carving an image into wood or linoleum with gauges, inking the surface, and transferring the image onto paper. Etching, also known as Intaglio [in-tal-yoh], is a family of printing techniques in which an image is incised into a metal plate. Artist can directly scratch into plates with needles, or they can draw through a ground and etch the image into a plate using a chemical. Two weeks are devoted to each process, with a final session for wrapping up projects and planning next steps.

Together, these processes range from experimental to exacting, bold to subdued, and unpredictable to calculated and can open new possibilities for artists, writers, and anyone who wants to learn a new way to make art. Printmaking Foundations can act as either a general introduction to everything Spudnik has to offer, or a refresher course for artists who have previous experience.