February 5 | Intro to Relief Printing (4 Weeks)

Relief printmaking dates as far back as the 7th century and is considered the oldest form of printmaking, appearing first as woodblock images in China. It is a graphic yet versatile process, capable of hardedge imagery as well as soft tonality. In relief, an image is carved in reverse into a block which is then inked and sent through a press. The tools are simple and approachable but the possibilities are expansive.

Our Intro to Relief Printing class equips students to plan, carve, and print in relief practices. During this class, students will be guided through the best methods for planning and transferring their images utilizing subtractive techniques that exploit line, shape, contrast, and texture. In addition, students will learn how to mix and modify inks, handle paper, methods of registration, and how to finesse pressure on the press for the best results.

In addition to gaining authorization to print independently at Spudnik Press, students will have access to Open Studios to work on their projects.

With the completion of this class, students will not only produce an edition of prints that reflect the skills built throughout this class but receive authorization in relief printing at Spudnik. Further printing in relief can be explored through our Open Studio or Keyholder programs.

February 15| Screenprinting on Fabric (4 Weeks)

This course introduces the full process of printing on fabric and garments, from coating and exposing screens to printing, reclaiming, and editioning. Students will print on flat fabric and apparel using both print tables and a T-shirt press, learning how images behave on different materials.

The class emphasizes hands-on practice, repeat printing, and registration, with time set aside for experimentation. Students will leave with a finished garment or small edition and the confidence to work independently in the screenprinting studio. Throughout the class, students are encouraged to bring their own fabric and garments to print on as well.

In addition to gaining authorization to print independently at Spudnik Press, students will have access to Open Studios to work on their projects.

February 20 | Analog Screenprinting: Stencils, Marks, and Monoprints (4 Weeks)

In analog screenprinting, students will learn multiple methods for stencil and image generation without the aid of machines (aside from our exposure unit). We will begin by experimenting with cutting, tearing, and selectively oiling our stencils to change how light passes through them, before moving on to the interactions between drawing fluid and screen filler, before finally exploring monoprints using watercolors and transparent base.

Decompress and unplug during this class, while meeting other like minded printers to see what you can accomplish with just a few simple tools on hand.

In addition to gaining authorization to print independently at Spudnik Press, students will have access to Open Studios to work on their projects.