January 29 | Riso 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 60 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

February 5 | Intro to Relief Printing (4 Weeks)

Relief printmaking dates as far back as the 7th century and is considered the oldest form of printmaking, appearing first as woodblock images in China. It is a graphic yet versatile process, capable of hardedge imagery as well as soft tonality. In relief, an image is carved in reverse into a block which is then inked and sent through a press. The tools are simple and approachable but the possibilities are expansive.

Our Intro to Relief Printing class equips students to plan, carve, and print in relief practices. During this class, students will be guided through the best methods for planning and transferring their images utilizing subtractive techniques that exploit line, shape, contrast, and texture. In addition, students will learn how to mix and modify inks, handle paper, methods of registration, and how to finesse pressure on the press for the best results.

In addition to gaining authorization to print independently at Spudnik Press, students will have access to Open Studios to work on their projects.

With the completion of this class, students will not only produce an edition of prints that reflect the skills built throughout this class but receive authorization in relief printing at Spudnik. Further printing in relief can be explored through our Open Studio or Keyholder programs.

February 19| Screenprinting Explorations (8 Weeks)

Screenprinting is an art form with a sometimes daunting degree of possibility. From bold graphic shapes to delicate and detailed halftones, almost any image you can think of can be created with a screen and some ink. So where to begin?

In Screenprinting Explorations, students will be walked through the steps necessary to pull a successful print in a variety of styles and with increasing complexity. At every stage, students will be encouraged to experiment and explore, pushing the techniques and trying new things. Our eight-week class provides adequate time for new printers to complete a range of projects on paper and fabric. Along the way, students will become familiar with dark room exposure, mesh count, screen tension, ink consistency, and registration. In addition to developing A+ printing skills, this class will help students develop their imagery, be it hand-drawn illustration or digital files, to successfully translate to print.

By the end of the class, students will know their way around the print shop, and be well equipped to continue printing independently at Spudnik Press.