April 6 | Riso Animation (4 Weeks)

Discover the unique world of Risograph printing and animation in this hands-on four-week course. Beginning with the fundamentals of the Risograph machine, you will progress through a complete animation workflow — learning not just how to print, but how to bring your prints to life.

Using Spectrolite, an intuitive software designed for Riso printing, you will create standalone prints, explore layering techniques, and develop a foundation for animation. From there, you will learn how to scan and composite your work in Photoshop, building toward a finished animated GIF and a short Riso animation to take home.

You will leave the course with prints, contact sheets, and a collection of digital material to continue experimenting with long after the final session. With the Risograph, practice and experimentation are at the heart of every unique result.

What to Bring

— USB drive

— Notebook

*note: this class only has 4 spots in it, so registration may be competitive

April 17 | Studio Access Training: Relief, Monoprint, Intaglio

Studio Authorization is always required prior to attending your first Open Studio or becoming a Keyholder. Experience is required for all Studio Access Trainings. Authorizations are free or you can pay what you can as a donation to Spudnik!

Please take some time to read and ensure that you meet the minimum requirements stated below.

What Are Studio Access Trainings?

Studio Access Trainings ensure that those with have prior experience from school or another print studio will be proficient and confident using the equipment in our studio.

What you can expect:

These sessions are NOT lessons, but specifically for makers who already have thorough experience with similar equipment. 

Minimum Requirements to Become Authorized:

• Have recent experience with the equipment you would like to use (within 2 years)
• Have thorough experience with the equipment you would like to use (8-week class or equivalent; Experience required varies based on process and equipment).
• Be comfortable working independently.
• Demonstrate safe and clean printmaking or art-making habits.
• Demonstrate respect to our staff and our equipment.

If you do not meet these requirements, please enroll in a class that includes authorization or schedule a series of private lessons. 

Studio Access Training: Relief, Monoprint, Intaglio

This authorization focuses on press safety.

Within relief printmaking, this session will address the basics of block carving with a focus on the tools and resources available at Spudnik Press and how various carving styles or approaches might affect the printing process. While printing with a press will be reviewed in detail, printing by hand will be addressed on request.

Within monoprinting, this session will address using plexiglass as a matrix, working with water- and oil-based pigments, and mark-making and stencil-making tools on site.

Moving to the printing process, this session will address setting pressure, blanket care, registration methods, paper selection, working with wet paper (water baths and damp packs), and drying/flattening prints. Regarding ink, this session with review modifiers, ink care, and cleaning expectations.

For intaglio artists,  the training will focus on personal safety, care and maintenance of tools and supplies, and best practices for working with intaglio printing at Spudnik Press.

As with all our Studio Access Trainings, we will also cover equipment available to check out and press reservation policies.

April 21 | Linocut Block Printing (4 Hours)

Relief printmaking dates as far back as the 7th century and is considered the oldest form of printmaking. An image is carved into a block of wood or linoleum, which is then inked and pressed to transfer the image. The tools are simple and approachable, but the possibilities are expansive.

In this 4-hour workshop, students will plan, carve, and print a linoleum block. The class guides students through the process of transferring an image onto their block and techniques for creating line, shape, contrast, and texture. By the end of class, students will print their images by hand, taking home a small edition.