December 5 | Riso 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 60 days. The Open Studio coupon is worth 4 hours of studio time (valued at $35) to work independently and continue what you have learned from the class.

December 7 | Monotype 101 (4 Hours)

Monoprinting is an exciting form of printmaking that favors organic, gestural, textural, and ephemeral marks and imagery. This process is an incredibly immediate, intuitive, and playful way of exploring printmaking. It is well suited to people new to printmaking and artists who typically work with paint, mixed media, or drawing.

This workshop will introduce students to the basics of monotype printing. Throughout the workshop, students will discover ways to create unique prints while learning about the properties of ink, paper, pressure, and how they interact to be able to explore the process of monotype on their own. Printing techniques will include additive and reductive processes, stenciling, and ghost printing. Each student will make three prints to explore these processes.

December 7 | Collagraph Printing 101 (1 Day)

This 4-hour workshop introduces students to the process of creating a mixed-media matrix that is printed in relief. Understanding how collaged materials visually transform when printed in relief will show students the transformative property of printmaking.

Students will gain familiarity with collagraph printing, plate wiping techniques, and relief printing. By the end of class, all students will have a finished collagraph plate and have at least one print of the plate in black ink on white paper.

This class would benefit students who are looking for an experimental and abstract way to understand the fundamentals of printmaking.

December 8 | Screenprinting Refresher & Authorization (4 Hours)

Note: Experience is required to take this refresher class.

This refresher & authorization workshop welcomes students with previous screenprinting experience who are feeling out-of-practice or fuzzy regarding the finer points of the process, or who have never printed at Spudnik before, and want familiarity with our facilities and offerings. Students should have already completed a one-day workshop or full class, although it need not have been at Spudnik. We also welcome printers that would like support working through a particularly complex project or reoccurring printing issue.

The class will review an assortment of skills such as selecting the best mesh count, applying the perfect coat of photo emulsion, troubleshooting and diagnosing exposure and printing issues, ink mixing, registration, and screen reclamation. Equally as importantly, we will address how to consider these technical factors and limitations when designing a project for printing.

During the workshops, each student will expose a screen, and work with peers to print a two-color image designed to hone nuanced printing skills. Students are welcome to bring specific questions about their next project.

To help build printing confidence at Open Studio sessions, students are invited to return within the week to put their freshly acquired knowledge to use. Through this workshop, students will not only brush up on old skills and become authorized to print at Spudnik, but are sure to walk away with new morsels of useful information regarding the art of screenprinting.

December 11 | Riso 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 60 days. The Open Studio coupon is worth 4 hours of studio time (valued at $35) to work independently and continue what you have learned from the class.

December 12 | Linocut 101 (4 hours)

Relief printmaking dates as far back as the 7th century and is considered the oldest form of printmaking. An image is carved into a block of wood or linoleum, which is then inked and pressed to transfer the image. The tools are simple and approachable, but the possibilities are expansive.

In this 4-hour workshop, students will plan, carve, and print a linoleum block. The class guides students through the process of transferring an image onto their block and techniques for creating line, shape, contrast, and texture. By the end of class, students will print their images by hand, taking home a small edition.

December 13 | Letterpress Authorization: Vandercook (2 hours)

Note Experience is required to take this class

This is an authorization for printers who are familiar with the letterpress process, especially those who have worked with Vandercook proof presses before.

In this course, students will review typesetting, Californian case, Vandercook 4 &/or SP–25 for locking up type, spacing, using our letterpress furniture, and more. Other items that will be discussed include adjusting the roller heights, tips on color mixing, cleaning, and general studio policy.

Students will get authorization to use our letterpress equipment (Vandercook 4 and SP-25 only) independently after this class.

December 14| Bookbinding 101 (4 Hours)

This workshop focuses on styles of bookbinding that are low-cost yet dynamic, and well suited for poetry chapbooks and portfolio books. Students will learn how to choose materials and create simple book structures that best highlight the content within their book.

The lessons will address the logistics of organizing poetry or artwork into a book form, explore the book as a vessel for information, and how material choices can inform how the book is read. While the workshop will create blank books, each style of binding will begin with standard 8.5” x 11” paper to allow your poetry or artistic content to be easily printed from a common inkjet or laser printer.