October 16 | Risography 101 (4 Hours)

The Risograph is an automated duplicator from Japan that efficiently produces offset-like prints in a variety of saturated colors. Though not originally intended for artistic application, the machine has gained traction (and notoriety) in small-press culture for its distinctive effects and efficiency—as well as for being rather finicky.

This 4-hour workshop will walk students through the fundamentals of risography for bookmaking and fine art printing. Students will learn techniques and best practices for reproducing imagery, giving consideration to ink density, drying time, paper choices, registration, and patience. Students will become acquainted with the mechanics of the printer and learn basic maintenance, including how to change the master roll and a drum’s ink tube. Everyone will leave with an individually designed two-layer print.

Students will receive risography authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

October 18 | Riso Animation (6 Weeks)

Discover the unique world of Risograph printing and animation in this hands-on four-week course. Beginning with the fundamentals of the Risograph machine, you will progress through a complete animation workflow — learning not just how to print, but how to bring your prints to life.

Using Spectrolite, an intuitive software designed for Riso printing, you will create standalone prints, explore layering techniques, and develop a foundation for animation. From there, you will learn how to scan and composite your work in Photoshop, building toward a finished animated GIF and a short Riso animation to take home.

You will leave the course with prints, contact sheets, and a collection of digital material to continue experimenting with long after the final session. With the Risograph, practice and experimentation are at the heart of every unique result.

What to Bring

— USB drive

— Notebook

No experience is needed, simply a creative spirit and a readiness to experiment.

October 25 | Letterpress Posters (4 Hours)

Join us for this fun, social workshop to see what letterpress printing is all about. During this workshop, you’ll be able to design and print your own poster using vintage type and a traditional Vandercook press. The rich, tactile quality of ink pressed into paper will leave an impression.

Each attendee will be able to choose from a variety of fonts in our collection. With these fonts, they will learn how to set and print their own short saying, phrase, or statement to create a professional one-of-a-kind poster. Our Teaching Artist will share what moveable type is, how it works, why it’s so special, and how its invention changed the world.

This one-day workshop combines an overview of letterpress printing and its unique history with hands-on making. It is a great way to try out a new craft and find out if you would love to learn the full process.

October 26 | Bookbinding 101 (4 Hours)

This workshop focuses on styles of bookbinding that are low-cost yet dynamic, and well suited for poetry chapbooks and portfolio books. Students will learn how to choose materials and create simple book structures that best highlight the content within their book.

The lessons will address the logistics of organizing book forms and explore the book as a vessel for information, and how material choices can inform how the book is read. While the workshop will create blank books, each style of binding will begin with standard 8.5” x 11” paper to allow your content to be easily printed from a common inkjet or laser printer.

November 4 | Texture in Risography (4 Hours)

Printing with a Risograph means embracing materiality. Because the machine pushes translucent ink through a stenciled master sheet onto uncoated paper, every print inherits an organic, screen-like texture. It’s a medium where color doesn’t just sit on the page—it sinks into it, creating a depth that digital mediums simply cannot replicate.

This 4-hour workshop is an immersive dive into the visual language of Riso textures. We will deconstruct how flat graphics transform into tactile art objects through ink density, overlapping tones, and screen choices. Students will learn how to design for the machine’s eccentricities, turning technical constraints—like drying time and unpredictable registration—into deliberate creative choices. We’ll demystify the hardware by learning how to change master rolls and ink tubes, giving you full creative control over the physical process. Walk away with a deeper understanding of print as a sensory experience, and a custom two-layer print of your own

Some experience with riso suggested, but not required. Students will receive risograph authorization and an Open Studio coupon, redeemable within the following 30 days. The Open Studio coupon is worth 4 hours of studio time (valued at $40) to work independently and continue what you have learned from the class.

November 10| Intro to Monotype Printing (4 Weeks)

Monotyping is printmaking in a very pure form: the transfer of ink to a singular image that cannot be duplicated. Monotypes are unique, precious, “one-of-one” and the process of creating them is ripe for experimentation, play, and working quickly through ideas and iterations.

In this 4-week class, students will learn techniques in both oil-based and water-based inks that resemble everything from delicate watercolor to chunky fingerpaint and fine ballpoint pen. Participants will also learn to work with “ghost” prints and templates to create variable editions, as well as unique and collaborative prints as a class.

Come surprise yourself and each other with the possibilities of this generous and flexible medium!

November 12 | 4-Week Relief Animation (4 Weeks)

Note: this class will skip 11/26 due to the Thanksgiving Holiday and will therefore conclude on 12/10

This course is an exploration of the synthesis between animation and relief printmaking. Rather than editioning, students will produce a sequence of unique prints that will function as individual frames within a larger animation. Participants will then use Photoshop to transform their printed sequences into looping gifs. Throughout the course, students will mine the reductive and additive processes inherent to relief printmaking for their cinematic potential. Students will also gain experience with various elements of the traditional animation process, such as storyboarding and animatics. 

Over the span of 4 sessions, participants will receive personalized guidance towards completing their own ambitious, animated relief projects. This class also includes a voucher for free access to open studio hours, giving students the opportunity to conclude their project independently should they need extra time, even after the course’s completion. 

No experience in either medium is required to enroll.

This class culminates in authorization in relief printing at Spudnik. Further printing in relief can be explored through our Open Studio or Keyholder programs.